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Steve Mosher: Interim Associate Canadian Symphonic Services Director

Vice President from Canada Alan Willaert is pleased to welcome Steve Mosher back to the Canadian Office staff, although his return will only be for six months. Mosher worked as assistant to the Canadian SSD director from 1996-1998 and again over the fall and winter of 2004. Over the years, Mosher has continued to be the AFM/CFM appointed representative on the Ontario Health and Safety Advisory Committee, as labour co-chair for live performance related issues.

Mosher will cover the responsibilities of the associate director for Canadian Symphonic Services and will assist us in finding and training the individual who will take on this position permanently.

Pandora and BMI

Pandora and BMI Trial Begins

Pandora and BMIIn February Pandora and BMI headed to court in a trial to determine how much Pandora will pay BMI songwriters and publishers. According to The New York Times, recent debates over music royalties with ASCAP and BMI have galvanized musicians and driven the Justice Department to review the regulatory agreements that govern BMI and ASCAP.

Pandora currently pays BMI 1.75% of its revenue, but it wants to reduce that fee to 1.7% to match what radio broadcasters pay for their streams. Pandora contends it is just another form of radio. BMI wants Pandora to raise its rate to 2.5%, arguing that Pandora is a more interactive form of media, and since it has no other programming like news or talk, it makes more extensive use of music than radio stations do.

Also in February, the US Copyright Office released its study, Copyright and the Music Marketplace, with recommendations on how existing music licensing laws should be updated to better reflect how people listen to music today. Among its recommendations were requiring radio stations to pay performance fees and the consolidation of rate-setting activities. Read the study at: copyright.gov/docs/musiclicensingstudy/.

Grassroots Organizers Get a LIFT

21st-centuryThe AFL-CIO announced the third round of Labor Innovation Fund for the Twenty-First Century (LIFT) grants awarded to a diverse group of organizations that are organizing workers outside of traditional models. The fund, established in 2011, is a partnership between the AFL-CIO and philanthropic institutions that share the Federation’s vision for a world in which workers are treated by employers with the dignity they deserve.

This year’s grantees comprise a diverse set of workers and sectors, including: Organization for Black Struggle, St. Louis (Labor Partner: Painters and Allied Trades District Council 58); CLEAN Carwash, Los Angeles (Labor Partner: United Steelworkers Local 675); Chinese Progressive Association, San Francisco (Labor Partner: UNITE HERE Local 2); National Guest Workers Alliance, New Orleans (Labor Partner: Ironworkers Union); ROC-United, National (Labor Partners: United Food and Commercial Workers Western States Council); Sunflower/Kansas People’s Action, Wichita, Kansas (Labor Partner: Wichita/Hutchinson Labor Federation and CWA); and VOZ Workers Center (Labor Partner: Oregon AFL-CIO.

10-Piece Orchestra Takes on Piano Player’s Unique Style

Steven Bernstein of Local 802 (New York, NY) first met Henry Butler decades ago and was impressed to say the least. He remembers thinking, “This is it. This is like the music that I always imagined. Everything you ever loved about music, all being in one place, but now it’s all coming from one person.”

Now Bernstein and Butler are working together, and Bernstein started breaking down Butler’s playing. Butler has his own unique style that is more complex the more you break it apart. Bernstein wanted to break it down and spread it throughout a band. Now, they co-lead a band called the Hot 9 and you can hear Butler’s style coming through on all the instruments.

Four Couples Play Together in Springfield Symphony Orchestra

valentine's-dayEvery orchestra is special, but the Springfield Symphony Orchestra has something a little extra special. Four married spouses all play together in the orchestra. Doug and Lori Wright of Local 160 (Springfield, OH), Fred and Genie Thiergartner of Local 160, Jennifer and Arturo also of Local 160, and Joe and Angela Heck Mueller of Local 103 (Columbus, OH)

“I think it makes this orchestra more special than most with this,” said Robyn Zimmann, former Executive Director of the Springfield Symphony Orchestra. “It adds to the synergy we all experience with one another onstage. I was proud to be a colleague of all these folks.”

A majority of the couples met through music. Jennifer said she loved Arturo’s music, and says the cello is what brought them together. The Thiergartners both played in a park band and things only took off from there. Angela asked Joe for help on a piece when they both attended the University of Oklahoma, and a small crush blossomed into something more. The Wrights met at a job interview, but they say it wasn’t until a teacher conference down the road that they grew into something more.

There are some negatives, like how Fred practices at three in the morning, right below their bedroom. Overall, they all make the most of it, claiming it brings them closer together. The drives to the symphony, and all the practice time together only strengthen their relationships.

“It’s wonderful to experience with your spouse.” Said Lori. “It adds a dimension to our relationship.”

Prevent Voice Damage

Doctor Explains How to Prevent Voice Damage

Bob Dylan never had the most beautiful voice among musician, but listening to him today it’s easy to hear his voice has gotten even coarser over the years. With the release of his newest album, Shadows in the Night, Dylan is coverings songs made famous by singers like Frank Sinatra. Not exactly the easiest songs to sing with a voice like Dylan. Seeing how getting older can affect the voice of all musicians, we’re glad Vulture reached out to otolaryngologist Dr. Milan Amin, director of the NYU Voice Center, for an explanation and more importantly, if there is any way to fix it.

Amin listened to some of the new album Shadows in the Night and compared it with Dylan’s earlier hits from the ‘60s. “The top part of Dylan’s pitch range has dropped, so he can’t access that.  When he’s trying to go up in his pitch with certain words and phrases, the voice gets rough. The other thing is that his whole tone is lower.

Amin explains that vocal cords are basically muscles underneath layers of collagen and a watery substance called hyaluronic acid. “As you get older, you lose muscle bulk. The layer starts to lose both collagen and hyaluronic acid, so the entire vocal fold sags, just like skin would. How you produce voice is by having the vocal folds come in contact with each other and blowing air past them, so if the vocal folds can’t contact each other, then you can’t produce as strong a sound.”

Amin right away points out smoking can only hurt, and being in dirty bars for so long filled with smoke certainly didn’t help either. He points out that performing on a rigorous schedule for so long will wear down the vocals. He also attributes it to late night performances, lack of sleep to rest the vocals, and even eating before bed causes acid reflux which can inflame the voice-box region.

Amin makes a great analogy comparing it to a person’s joints. “You get a little ding and they don’t work like they used to. The surface lining of the vocal cords ends up getting little nicks, so they can’t vibrate like they should.”

Luckily, and very importantly, this isn’t irreparable. Unlike most other muscles in your body where you need to use them to build strength, the vocal cords can’t do that. As Amin points out, “singers would have these huge, fat vocal chords and wouldn’t be able to breathe.”

The most common solution is simple airflow exercises and behavioral modifications to make sure they aren’t damaging their voice. There are also surgical measures, as Amin explains, “You can inject materials that will essentially give the vocal folds more body. That can give you better contact between the cords and better volume. If you give the cords better volume, they can increase their pitch range.”

For all you musicians out there, take this as a warning. Listen to Dr. Amin on how to prevent voice damage. You need to protect your voice and be careful, or you will lose it. If you have an tips to share with how your keep your voice healthy, let us know in the comments below.

High School Teacher Jared Cassedy Receives Music Educator Award

Jared Cassedy, a name no one really knows, has just become a Grammy winner. For the second year, the Recording Academy and Grammy Foundation are presenting the Grammy Music Educator award.

The Music Educator Award was established to recognize current educators (kindergarten through college, public and private schools) who have made a significant and lasting contribution to the field of music education and who demonstrate a commitment to the broader cause of maintaining music education in the schools. Over 7,000 names were submitted this year, but only one can receive the award.

Jared Cassedy from Windham high School in Windham, New Hampshire was presented the reward. Cassedy is known for being filled with energy, and has even been nicknamed “The energizer Bunny.”

It’s part of his passion and commitment, and it shows with his students as well.

Cierra Cowan, a bassoonist at Windham high School said, “We’re getting so much done and we’re working so hard, yet it feels like we’re having the best time of our lives doing it.”

The students really had nothing but flattering things to say about their teacher.

“He constantly tells us, ‘I don’t see you as high school musicians. You are professional musicians to me.’ And he’s the kind of person you want to meet those expectations and it makes it incredibly exhilarating when you can,” clarinetist Jillian DiPersio said. She goes on to say, “We don’t feel like band geeks here.”

“It becomes something you want to do, because you want to impress him. You do it for him really,” tuba player Adam Consentino said.

The band he teaches isn’t exclusive to skilled musicians. He allows anyone to join even if they have never played a note in their lives. No auditions necessary.

“One of my biggest beliefs in music education is I want to provide access to all students.” Cassedy explains.

That doesn’t mean it’s all fun and games. In 2012, the band played a the World Strides Heritage Festival in New York and finished first. The year after, they attended the World Strides Heritage Festival in Chicago and won again. This led to an invitation for the band to perform on the main stage at Carnegie Hall.

It is no wonder former student, Tim Raymond, wrote a letter to the Grammy committee. “I couldn’t think of anyone more deserving of the honor,” Raymond said, “I learned music lessons. I learned life lessons. He was one of my biggest mentors.”

Cassedy was shocked when he found out.

“Words cannot describe how amazing this honor is,” said Cassedy. “This award is not only recognition of the truly talented students and supportive community I get to work with every day, but it’s also a representation of the fundamental significance of music and the arts in our schools. As a tribute to the thousands of outstanding music educators everywhere, I cannot thank The Recording Academy and GRAMMY Foundation enough for helping us to advocate for and to celebrate the importance of music education across the nation.”

He didn’t take all the credit for himself, “…I see it more as a recognition of the students. Without the students coming back every single day, giving it 110 percent. Their lips are falling off, and exhausted and they’re studying for midterm exams and they have a lot of pressure on them but they’re the ones. I could be up there waving my arms around, but they’re the ones making the music.”

The Black Keys Donate Song to PETA

https://www.youtube.com/watch?v=qiBKLgMiTJ4

The seven-time Grammy Award winners, The Black Keys of local 24 (Akron, OH) have donated their song “Howlin’ for You” to PETA for free, to be used in an ad promoting animal adoption.

The Black Keys understand the importance of a company using music rights properly, and have even denounced companies like Spotify. PETA received their permission, and even a statement from The Black Keys’ drummer Patrick Carney.

“If you’re looking for a furry roommate check out an animal shelter. They’re filled with purebreds and mutts who’d love to be adopted.”

The Black Keys are not the first to donate to PETA, other musicians have donated a song as well, including Dolly Parton of Local 257 (Nashville, TN).

 

Union Musicians Book New Strip Shows

Union Musicians Book New Strip Shows

Frank Leone, the 14-year president of Local 369 (Las Vegas, NV), is impressed with the turnaround of orchestra’s being hired for the Strip. After all, the membership of orchestras in casinos was around 2,000 people back in 1989, and it has dwindled down to about 600 currently. However, that all appears to be changing recently.

HAVE YOU READ OUR COVER STORY ON KEB’ MO’ YET?

“The business is curious as we know,” Leone says, “However, one of my mantras is that live music validates a performer, and a large amount of it validates one even more.”

One of the more popular shows currently in Vegas is Celine Dion performing with a full 30 person orchestra. The orchestra isn’t in the pit either, they are in full view on the stage.

Leon claims this is something the audience loves to see. “The public knows they’re getting the biggest bang for their buck possible. No one should complain about the price of the ticket when they know they’re getting 30 people.”

Leone admits that while orchestras are one of the best ways to enjoy a performance, they can come with some big overheads. To cover this, Leon explains that the musicians drop down one pay scale level. Essentially, the casino is getting the 12-piece string section for the price of a no-strings band.

It’s hard to say what the future will hold, but for right now, it certainly is heading in the right direction.

Rachel Pine Performs for Homeless Shelter

 

The largest homeless shelter in Washington D.C. the D.C. Community for Creative Non Violence, which feeds over a thousand homeless people, experienced a world renowned guest – professional violinist Rachel Barton Pine of Local 10-208 (Chicago, IL). She has played around the world and is internationally known, but she decided to play for only a dozen people this time.

Pine says she was not so different from those in the shelter. “We were always getting our electricity and phone cut off, and were one missed payment from losing the roof over our heads.” She goes on to say, “My father had left the family by that point and, sure enough, he became homeless.”

Pine says it was a shelter like the Community for Creative Non Violence that helped her father get back on his feet. It’s an inspirational story that Pine wanted to share, and a story that many people took to heart.

Kenneth Price, a man staying at the shelter, said, “Her story is almost like mine. Her father was homeless, me, my girlfriend passed away, then that’s how I got homeless.”

David Basnight, another resident of the shelter, was also inspired. “It gives me the motivation when I leave here today to go try to get me an apartment or something because if she did what she did and got as far as she got, I know I can do the same thing.”

It goes without saying what Pine has done is more than simply play a few songs. She has inspired and motivated, all while staying extremely humble.

“Music is coming from a higher power and I’m a conduit for that.”

Other Interesting News Items

Instrument Carry-on Rule for Flights Pleases Musicians 

DOT Harmonizes Rules for Musical Instruments on Flights 

Musicians Get Approval to Carry on Instruments When Flying 

DOT Final Rule on Musical Instruments in the Cabin 

DOT Updates Rules for Musical Instruments on Planes 

U.S. DoT Issues Final Rule – Air Travel with Musical Instruments 

Hey, Rockstars, You Can Now Legally Bring Your Instrument as a Carry On