Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
Jennifer Montone of Local 77 (Philadelphia, PA) became principal horn for The Philadelphia Orchestra in 2006 at age 29. She teaches at two of the most prestigious music schools in the country and is an acclaimed soloist and chamber musician.
Jim Self of Locals 47 (Los Angeles, CA) and 7 (Orange County, CA) has performed internationally as a soloist, chamber musician, orchestral tubist, and studio musician for 43 years.
While Orbert Davis developed his musical training and early career around studio work, for the past 15 years the trumpet player has made a huge impact on the lives of students in Chicago.
Shooter Jennings’ career is accentuated by shifts in style and retro flashbacks that eventually led to his latest album, Shooter. An homage to 1970s-1980s country music, he returns to work with Grammy-winning co-producer and Local 257 (Nashville, TN) member Dave Cobb who produced Jennings’ early albums.
Today, each of the Local 257 (Nashville, TN) members remains steadfast in his dedication to Punch Brothers, which released its fifth studio album, All Ashore, in July. Their first self-produced album is a nine-movement suite of interconnected themes and stories.
Music director, conductor, and keyboardist Lawrence Goldberg of Local 802 (New York City) has worked on dozens of Broadway and Off-Broadway shows, as well as national tours. Since wrapping up work as music director for A Gentleman’s Guide to Love and Murder in 2017, he’s been subbing for Phantom of the Opera and the Cats revival on Broadway.
Gemma New, Local 293 (Hamilton, ON) member, is music director of the Hamilton Philharmonic Orchestra, resident conductor for the St. Louis Symphony Orchestra, and her guest conducting engagements have her circling the globe.
When Cleto and the Cletones band leader Cleto Escobedo, III, says that his team on Jimmy Kimmel Live! is like a family, it’s no exaggeration. His father, Cleto Escobedo, Jr., is a part of the band. Plus, he’s known Kimmel since childhood, as nine-year-olds in Las Vegas.
At just 23, Ruth Berhe, who goes by Ruth B., still seems stunned by her own sudden success. A talented vocalist and pianist with a longtime passion for music, she was planning to become a lawyer when music took over her life.
Oboist Michael Lisicky of Local 40-543 (Baltimore, MD) was schooled in collective action during his first full-time orchestra position with the Savannah Symphony. “It was the most supportive and organized group of musicians,” he says. “To be part of a union body in a very nonunion town was a great bonding experience. That’s how I came to understand the power of a union and how to work collectively.”