Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.

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Books-Resources, Products

Music as Expression


The first English translation of Hausegger’s treatise.




Two Masterpieces for Solo Harp


Impromptu, Op. 86 and Une châtelaine en sa tour, Op. 110 Here in one volume for the first time are Gabriel Fauré’s “Impromptu, Op. 86,” one of the most iconic and played pieces in the harp repertoire, and the much less accessible “Op. 110, Une Une châtelaine en sa tour.” Both pieces have been engraved […]




behind the changes

Behind the Changes


Jazz double bassist Ron Carter discusses walking bass lines.




6 Weeks to Finals


A clearly organized system for flutists to prepare and train musically and mentally for auditions.




Noir Vignettes


(for cello and piano) Inspired by the film noir genre of 1940s cinema, Noir Vignettes for cello and piano consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette. Noir Vignettes (for cello and piano), by Stacy Garrop, Theodore Presser Company, www.presser.com.




Variations on a Viennese Theme


This set of Variations is the only known work by Clement that features guitar.




Frank Martin & Paul Badura-Skoda: Letters


This correspondence between composer Frank Martin and pianist Paul Badura-Skoda covers the period from 1965 to 1974. Badura-Skoda commissioned two works for piano from Martin during this time, and a deep friendship grew between the two men over the course of these years. The letters offer readers the musical interest in the men’s collaborations, as […]




Like Falling Through a Cloud: A Lyrical Memoir


An account of acclaimed flutist Eugenia Zukerman’s struggle with Alzheimer’s disease.




tiny tattoo for orchestra

Tiny Tattoo for Orchestra: Score and Parts


This colorful five-minute work, which includes electrifying percussion parts, is suitable for advanced student orchestras, intermediate players, and professional ensembles.




selected late works for piano solo

Franz Liszt: Selected Late Works for Piano Solo, 1870-1886


This collection presents 30 solo piano pieces from that period (until his death in 1886), many that were unknown and underperformed well into the 20th century.










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