Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
The Karen Tuttle Legacy is a resource and guide for viola students, teachers, and performers to revolutionize their playing based on what works best for each individual’s unique physiology.
Corky Hale Uncorked! is the life story of the inimitable jazz harpist/pianist/vocalist, social activist, and philanthropist.
Flutist Bill Giannone of Local 802 (New York City) took J.S. Bach’s 15 Sinfonias, also known as “Three-Part Inventions,” for piano and transcribed them for three flutes.
Weird Al: Seriously includes the parodies, original compositions, and polka medleys of the Weird Al universe through interviews with Yankovic himself.
The book includes practical advice about propelling a story forward, how to support singers, and staying true to the styles discussed.
The Practizma Practice Journal by Susanna Klein, of Local 123 (Richmond, VA), allows users to track their practice, reinvigorate practice, and enjoy the journey of being a musician.
Music: A Subversive History by Ted Gioia tells a 4,000-year history of music as a global source of power, change, and upheaval.
Women at the Piano sheds light on the unheard music and untold story of female composers of the 19th century, offering not only pristine editions of neglected and forgotten musical works, but also insights into the historical context of which these remarkable pieces emerged.
Webster’s arrangement focuses on Schubert’s “Divertissement à l’hongroise, D.818,” a rather lengthy affair that can exceed half an hour to perform.
Canyon Shadows is inspired in large part by the Grand Canyon of the American Southwest.