Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
August 6, 2020
Grammy-nominated pianist and composer Larry Goldings has had an amazing and stylistically eclectic career—from 20 years recording and touring with James Taylor, to numerous artistic collaborations that straddle the realms of jazz and pop, to scoring music for television and motion pictures. But Goldings’ recent project, scoring the Netflix series, Self-Made: Inspired by the Life […]
July 27, 2020
Beyond Music, Boston Flutist Sue-Ellen Hershman-TcherepninFinds Ways to Make a Difference Intersectionality: it’s a word that Sue-Ellen Hershman-Tcherepnin says is sometimes overused, but it nevertheless applies to most areas of her life. A Massachusetts native, freelance flutist in the Boston area, and flute teacher at MIT, Hershman-Tcherepnin is also heavily involved in local refugee and […]
June 30, 2020
Union Musicians Protest Racism Clarinetist Anthony McGill of Local 802 (New York City) on May 29 posted a challenge to his social media pages to put a spotlight on racism—and it has gone viral throughout the orchestral community. McGill’s challenge was the result of his feelings over the death of George Floyd at the hands […]
June 30, 2020
Joel Quarrington, a life member of Local 149 (Toronto, ON) and Local 180 (Ottawa, ON), has served for over 30 years as the principal double bassist of many ensembles including the Canadian Opera Company, the Toronto Symphony, Canada’s National Arts Centre Orchestra, and the London Symphony Orchestra. He also teaches at the University of Ottawa […]
June 23, 2020
Fred Hersch of Local 802 started playing piano at age four, and has since become one of the most prominent jazz pianists and educators in New York City.
June 16, 2020
Musical rebellion isn’t just for rock-and-rollers, though country and blues multi-instrumentalist James Pennebaker did spend a bit of time playing around with rock as a kid when he supplemented his classical violin studies with British Invasion records.
May 20, 2020
Karen Schnackenberg has been principal librarian of the Dallas Symphony Orchestra (DSO) for nearly 30 years, and is still working through this pandemic.
March 31, 2020
Irving “Andy” Andrusia of Local 161-710 (Washington, D.C.) may be a centenarian, but his life remains busy and filled with song.
March 31, 2020
For clarinetist Guy Yehuda of Local 56 (Grand Rapids, MI), versatility isn’t just a buzzword—it’s how he stays fresh and competitive in today’s heavily commercialized music world.
March 6, 2020
Artists and writers are taught that their work often has more truth when they create by using what they know. Acclaimed Canadian Celtic fiddler and step dancer Natalie MacMaster of Local 355 (Cape Breton, NS) has proven that truism and made it a way of life, writing and performing music in her native Cape Breton style.