Tag Archives: recent news

United Steelworkers

United Steelworkers Strike

United SteelworkersIn February, around 3,800 members of the United Steelworkers (USW) went on strike at nine refineries after Shell, lead company in the National Oil Bargaining talks, left the bargaining table, reports USW President Leo W. Gerard. Remaining USW-represented refineries (65 in total) and facilities are operating under a rolling 24-hour contract extension. The strike, limited to a fraction of the 30,000 oil workers the union organizes, draws attention to decades of stagnant wages, rising health care and living costs, and corporate disregard for health and safety.

USW Vice President Gary Beevers, who heads the union’s National Oil Bargaining program, says onerous overtime; unsafe staffing; and dangerous conditions, among other concerns, as the impetus for the work stoppage.

The World Federation of Trade Unions (WFTU), representing 90 million workers in 126 countries has expressed its internationalist solidarity to the striking workers in US refineries.

AFM Appoints New Director of Electronic Media Services

AFM President Ray Hair is pleased to announce the appointment of Patrick Varriale as Director of Electronic Media Services Division (EMSD), effective January 26. Varriale is an assistant to the president and has served as EMSD assistant director since 2008, supervising and coordinating all media issues in the Federation’s New York headquarters. He replaces outgoing Director Bill Thomas, who resigned from that position earlier this year.

Varriale began his service to the Federation 40 years ago in 1974, when he was hired into the AFM’s Recording Department by then AFM Executive Assistant to the President Bob Crothers. He eventually was tasked with supervising contract matters for Jingles, National Public Television, and Radio, and Sound Recordings. After Crothers retired and was succeeded by Dick Gabriel, who directed the Division from the AFM’s West Coast Office in Los Angeles, Varriale oversaw preparations for media negotiations and ratification processes for all nonsymphonic media agreements, including Live Television and Motion Picture-TV Film. During his 40 years of service, he has advised and counseled seven AFM presidents on media matters, from AFM President Hal Davis onward.

“I am extremely proud to welcome Patrick Varriale as the new director of our Electronic Media Services Division,” says Hair. “There is no one on the labor side of the media business more qualified for the job or more capable of assuming the role of EMSD director than Pat Varriale. The decades of knowledge and experience he brings to the division each day have served our members well. He will now lead a great team of experienced staffers who are dedicated to improving the lives of professional musicians working in the media industry.”

Steve Mosher: Interim Associate Canadian Symphonic Services Director

Vice President from Canada Alan Willaert is pleased to welcome Steve Mosher back to the Canadian Office staff, although his return will only be for six months. Mosher worked as assistant to the Canadian SSD director from 1996-1998 and again over the fall and winter of 2004. Over the years, Mosher has continued to be the AFM/CFM appointed representative on the Ontario Health and Safety Advisory Committee, as labour co-chair for live performance related issues.

Mosher will cover the responsibilities of the associate director for Canadian Symphonic Services and will assist us in finding and training the individual who will take on this position permanently.

Pandora and BMI

Pandora and BMI Trial Begins

Pandora and BMIIn February Pandora and BMI headed to court in a trial to determine how much Pandora will pay BMI songwriters and publishers. According to The New York Times, recent debates over music royalties with ASCAP and BMI have galvanized musicians and driven the Justice Department to review the regulatory agreements that govern BMI and ASCAP.

Pandora currently pays BMI 1.75% of its revenue, but it wants to reduce that fee to 1.7% to match what radio broadcasters pay for their streams. Pandora contends it is just another form of radio. BMI wants Pandora to raise its rate to 2.5%, arguing that Pandora is a more interactive form of media, and since it has no other programming like news or talk, it makes more extensive use of music than radio stations do.

Also in February, the US Copyright Office released its study, Copyright and the Music Marketplace, with recommendations on how existing music licensing laws should be updated to better reflect how people listen to music today. Among its recommendations were requiring radio stations to pay performance fees and the consolidation of rate-setting activities. Read the study at: copyright.gov/docs/musiclicensingstudy/.

Grassroots Organizers Get a LIFT

21st-centuryThe AFL-CIO announced the third round of Labor Innovation Fund for the Twenty-First Century (LIFT) grants awarded to a diverse group of organizations that are organizing workers outside of traditional models. The fund, established in 2011, is a partnership between the AFL-CIO and philanthropic institutions that share the Federation’s vision for a world in which workers are treated by employers with the dignity they deserve.

This year’s grantees comprise a diverse set of workers and sectors, including: Organization for Black Struggle, St. Louis (Labor Partner: Painters and Allied Trades District Council 58); CLEAN Carwash, Los Angeles (Labor Partner: United Steelworkers Local 675); Chinese Progressive Association, San Francisco (Labor Partner: UNITE HERE Local 2); National Guest Workers Alliance, New Orleans (Labor Partner: Ironworkers Union); ROC-United, National (Labor Partners: United Food and Commercial Workers Western States Council); Sunflower/Kansas People’s Action, Wichita, Kansas (Labor Partner: Wichita/Hutchinson Labor Federation and CWA); and VOZ Workers Center (Labor Partner: Oregon AFL-CIO.

High School Teacher Jared Cassedy Receives Music Educator Award

Jared Cassedy, a name no one really knows, has just become a Grammy winner. For the second year, the Recording Academy and Grammy Foundation are presenting the Grammy Music Educator award.

The Music Educator Award was established to recognize current educators (kindergarten through college, public and private schools) who have made a significant and lasting contribution to the field of music education and who demonstrate a commitment to the broader cause of maintaining music education in the schools. Over 7,000 names were submitted this year, but only one can receive the award.

Jared Cassedy from Windham high School in Windham, New Hampshire was presented the reward. Cassedy is known for being filled with energy, and has even been nicknamed “The energizer Bunny.”

It’s part of his passion and commitment, and it shows with his students as well.

Cierra Cowan, a bassoonist at Windham high School said, “We’re getting so much done and we’re working so hard, yet it feels like we’re having the best time of our lives doing it.”

The students really had nothing but flattering things to say about their teacher.

“He constantly tells us, ‘I don’t see you as high school musicians. You are professional musicians to me.’ And he’s the kind of person you want to meet those expectations and it makes it incredibly exhilarating when you can,” clarinetist Jillian DiPersio said. She goes on to say, “We don’t feel like band geeks here.”

“It becomes something you want to do, because you want to impress him. You do it for him really,” tuba player Adam Consentino said.

The band he teaches isn’t exclusive to skilled musicians. He allows anyone to join even if they have never played a note in their lives. No auditions necessary.

“One of my biggest beliefs in music education is I want to provide access to all students.” Cassedy explains.

That doesn’t mean it’s all fun and games. In 2012, the band played a the World Strides Heritage Festival in New York and finished first. The year after, they attended the World Strides Heritage Festival in Chicago and won again. This led to an invitation for the band to perform on the main stage at Carnegie Hall.

It is no wonder former student, Tim Raymond, wrote a letter to the Grammy committee. “I couldn’t think of anyone more deserving of the honor,” Raymond said, “I learned music lessons. I learned life lessons. He was one of my biggest mentors.”

Cassedy was shocked when he found out.

“Words cannot describe how amazing this honor is,” said Cassedy. “This award is not only recognition of the truly talented students and supportive community I get to work with every day, but it’s also a representation of the fundamental significance of music and the arts in our schools. As a tribute to the thousands of outstanding music educators everywhere, I cannot thank The Recording Academy and GRAMMY Foundation enough for helping us to advocate for and to celebrate the importance of music education across the nation.”

He didn’t take all the credit for himself, “…I see it more as a recognition of the students. Without the students coming back every single day, giving it 110 percent. Their lips are falling off, and exhausted and they’re studying for midterm exams and they have a lot of pressure on them but they’re the ones. I could be up there waving my arms around, but they’re the ones making the music.”

The Black Keys Donate Song to PETA

https://www.youtube.com/watch?v=qiBKLgMiTJ4

The seven-time Grammy Award winners, The Black Keys of local 24 (Akron, OH) have donated their song “Howlin’ for You” to PETA for free, to be used in an ad promoting animal adoption.

The Black Keys understand the importance of a company using music rights properly, and have even denounced companies like Spotify. PETA received their permission, and even a statement from The Black Keys’ drummer Patrick Carney.

“If you’re looking for a furry roommate check out an animal shelter. They’re filled with purebreds and mutts who’d love to be adopted.”

The Black Keys are not the first to donate to PETA, other musicians have donated a song as well, including Dolly Parton of Local 257 (Nashville, TN).

 

Rachel Pine Performs for Homeless Shelter

 

The largest homeless shelter in Washington D.C. the D.C. Community for Creative Non Violence, which feeds over a thousand homeless people, experienced a world renowned guest – professional violinist Rachel Barton Pine of Local 10-208 (Chicago, IL). She has played around the world and is internationally known, but she decided to play for only a dozen people this time.

Pine says she was not so different from those in the shelter. “We were always getting our electricity and phone cut off, and were one missed payment from losing the roof over our heads.” She goes on to say, “My father had left the family by that point and, sure enough, he became homeless.”

Pine says it was a shelter like the Community for Creative Non Violence that helped her father get back on his feet. It’s an inspirational story that Pine wanted to share, and a story that many people took to heart.

Kenneth Price, a man staying at the shelter, said, “Her story is almost like mine. Her father was homeless, me, my girlfriend passed away, then that’s how I got homeless.”

David Basnight, another resident of the shelter, was also inspired. “It gives me the motivation when I leave here today to go try to get me an apartment or something because if she did what she did and got as far as she got, I know I can do the same thing.”

It goes without saying what Pine has done is more than simply play a few songs. She has inspired and motivated, all while staying extremely humble.

“Music is coming from a higher power and I’m a conduit for that.”

Other Interesting News Items

Instrument Carry-on Rule for Flights Pleases Musicians 

DOT Harmonizes Rules for Musical Instruments on Flights 

Musicians Get Approval to Carry on Instruments When Flying 

DOT Final Rule on Musical Instruments in the Cabin 

DOT Updates Rules for Musical Instruments on Planes 

U.S. DoT Issues Final Rule – Air Travel with Musical Instruments 

Hey, Rockstars, You Can Now Legally Bring Your Instrument as a Carry On

AFM Cellist Appointed to Order of Canada

Cellist Denis Brott, a member of AFM Local 406 (Montreal, PQ), was appointed Member of the Order of Canada in December 2014. He is recognized for promoting Canadian musical excellence, as well as his achievements as a musician and teacher, and for his role in establishing the Canada Council of the Arts’ Musical Instrument Bank and founding the Montreal Chamber Music Festival. He is now executive and artistic director of the festival that’s celebrating its 20th anniversary and a professor at the Conservatoire de musique du Québec à Montréal. “Being named to the Order of Canada is an honour unlike any I have had in my life,” says Brott. “I am proudly Canadian and to be recognized by my own country in this way is thrilling.”