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Glen Campbell

Glen Campbell Releases Goodbye Album

Glen Campbell
On June 9 legendary singer and guitarist Glen Campbell of Local 47 (Los Angeles, CA) releases his final album, Adiós. In a career spanning five decades, he has sold more than 50 million albums. The album was recorded following Campbell’s Goodbye Tour launched following his diagnosis of Alzheimer’s disease in 2011.

Glen’s wife, Kim, felt a sense of urgency following the tour. She wanted to get him into the studio one last time to capture what magic was left. “What you’re hearing when listening to Adiós is the beautiful and loving culmination of friends and family doing their very best for a man who inspired, raised, and entertained them for decades—giving him the chance to say goodbye to his fans, and put one last amazing collection of songs onto the record store shelves.”

The family turned to Local 256-733 (Birmingham, AL) member Carl Jackson. Campbell’s longtime banjo player produced, performed on the album, and helped his friend. The 12 tracks on the album feature songs that Campbell loved but never before recorded. Though he struggled at times, Campbell was elated to be in the studio.

Campbell, 81, is reported to be in the final stages of the disease. He is living in Nashville, surrounded by friends and family.

SAG-AFTRA Demands SBS Recognize Union

SAG-AFTRA is demanding that the Spanish Broadcasting System (SBS) recognize the union as the legally certified bargaining representative for workers at two popular Los Angeles radio stations—La Raza (KLAX/KXOL 97.9 FM) and MEGA (96.3 FM). The on-air talent voted overwhelmingly to join SAG-AFTRA last August, but SBS has refused to bargain in good faith and also retaliated against its on-air talent.

SBS employees chose to organize after enduring poor working conditions that in some cases violated stage and federal laws. Complaints include, among other things: payment of less than minimum wage, plus denying overtime pay, breaks, and access to bathrooms during events.

 

Beyond the Red Carpet Demonstrates Importance of Intellectual Property Protections

In April Creative Rights Caucus Co-Chairs Representatives Rudy Chu (D-CA) and Doug Collins (R-GA) hosted “Beyond the Red Carpet: Movie & TV Magic Day” to provide a behind-the-scenes look at the creativity, talent, and innovation of the television and film industry that supports two million workers in all 50 states. Chu says she founded the Creative Rights Caucus to give creators a voice in Washington, DC. The event was designed to demonstrate the need to have strong intellectual property protections in the US.

“It is inspiring to see the tremendous innovation of our industry and to understand the positive impact that copyright protections have on those in front of and behind the camera,” says SAG-AFTRA President Gabrielle Carteris.

 

Savannah Exhibit Honors Musicians Union Leader

A new exhibit that opened in April in Savannah, Georgia, honors Westley Wallace “W.W.” Law, a prominent Civil Right leader, historian, community leader, and the founder of Savannah’s black musicians union (AFM Local 704). He was known for his large and diverse collection of music. Through the exhibit at the Beach Institute African American Cultural Center, the city hopes to encourage people to discover music they are not familiar with. The exhibit will feature Law’s music, book, periodical, and photograph collections. Interactive components will introduce children to math and science concepts embedded in music.

Letter to Congress Calls for NEA, NEH, CPB Funding

The AFM joined 11 other arts and entertainment groups in sending a letter to Congress opposing President Trump’s elimination of the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the privatization of the Corporation for Public Broadcasting (CPB). The letter urges Congress to at least maintain current funding for the institutions. It reads, in part:

Ending federal support for the NEA, NEH, and CPB would be radical, unprecedented action that would harm everyday people, particularly individuals who live far from metropolitcan cultural centers. Through grants, seed money, and technical support, the NEA, NEH, and CPB ensure that Americans of all means, geographies, and abilities have access to artistic and educational content. Private money cannot fully replace lost funding from the NEA, NEH, and CPB. Without continued funding for the NEA, NEH, and CPB, we expect the loss of good, middle-class jobs, with the most acute economic pain being felt far from the soundstages of Hollywood and bright lights of Broadway.

Among those joining AFM President Ray Hair in signing the letter were: Actors’ Equity Association President Kate Shindle; AFL-CIO Department of Professional Employees President Paul E. Almeida; International Alliance of Theatrical Stage Employees President Matthew D. Loeb; SAG-AFTRA President Gabrielle Carteris; and Writers Guild of America, East President Michael Winship.

 

WGA May Seek Strike Authorization

Writers Guild of America (WGA) resumed contract negotiations with the Alliance of Motion Picture and Television Producers, representing broadcast and cable networks and movie studios, on April 10. An initial two weeks of talks in March ended in impasse. If no settlement is reached Guild members will begin voting on authorization to strike April 19.

The current three-year Minimum Basic Agreement expires May 1. This season there are more series than ever, 455, but fewer episodes, with many of the shows having eight to 12 episode seasons, compared to a traditional 22 to 24 episode broadcast series. Because writers are generally paid on a per-episode basis many are earning a fraction of what they did previously.

Hollywood is hoping to avoid a work stoppage like the 100-day strike in 2007, which forced primetime shows to run reruns while many movie projects were put on hold.

Former Nike Worker Calls on Students to Cover Their Logos

In her nationwide United Students Against Sweatshops (USAS) tour Cambodian Alliance of Trade Unions (CATU) President Sophorn Yang, a former Nike garment worker, describes the life of an overseas sweatshop worker. She describes how they would pile into trucks traveling long distances and leaving their families behind to work 10 to 14 hours a day for about $150 per month. Employees could be reprimanded for sitting down, yawning, or using the restroom. Despite factory temperatures in excess of 90 degrees they were discouraged from drinking water to lessen the frequency of bathroom breaks. The workers are intimidated from registering with unions. Yang says she was most shocked by the price tag of one Nike sneaker—almost equal to one month’s salary.

The USAS tour is part of a series of student protests organized against Nike for refusing to allow its factories to be inspected by the independent labor rights monitoring organization Workers Rights Consortium (WRC), affiliated with more than 180 colleges and universities. The social media campaign #NikeCoverUpChallege encourages people to cover up their Nike logos just as the corporation has been covering up its mistreatment of workers.

Tax Bill to Spur Georgia’s Music Industry

A bill designed to spur Georgia’s music industry through tax incentives was passed by the Georgia General Assembly at the end of March and is waiting for Governor Nathan Deal to sign off on it. The Georgia Music Investment Act (House Bill 155) could potentially create thousands of new jobs in both recording and film scoring.

Among specific incentives that would begin in 2018: if a touring band holds rehearsals and begins their tours in Georgia, and spend more than $500,000 there; recording projects in Georgia that spend a minimum of $100,000 in one year; and movie and video games recorded in Georgia, spending $250,000 per year would each be eligible for a 15% to 20% tax credit.

“The industry growth stimulated by the proposed tax incentives would create jobs not only for musicians, but for numerous workers and supporting businesses in Atlanta,” says Christina Ottaviano, secretary of Local 148-462 (Atlanta, GA). “In the interest of perpetuating Atlanta’s prominence in the entertainment industry and encouraging artistic and economic development, the Atlanta Federation of Musicians urges the adoption of HB 155.”

 

Chicago Blues Museum Planned for 2019

Slated to open in 2019 near Millennium Park, the Chicago Blues Experience will tell the story Chicago’s blues story and celebrate the pioneering artists and the generations of musicians who have been influenced by the blues and continue to carry on its traditions. The 50,000-square-foot facility will feature state-of-the-art interactive technology that takes visitors on an eye-opening, immersive journey into the past, present, and future of the blues. Exhibitions, memorabilia, a live music venue, and restaurants will reinforce the history and culture from which the blues emerged.

Through community outreach efforts, the Chicago Blues Experience Foundation will provide positive experiences for youth through music education and immersion, creating sustainable and enriching activities for young people. The foundation’s overall objective is to use the blues and all popular music genres as an educational gateway to inspire and cultivate creativity, critical thinking, and self-expression.

Simon Tours in Support of Biodiversity

After considering retirement last year, Paul Simon of Local 802 (New York City) has announced that he will hit the road again for a 17-city tour to benefit the Half-Earth Project, an initiative of the E.O. Wilson Biodiversity Foundation. The singer says that he feels that actively supporting biodiversity through performing his music makes him feel like he’s making a “greater contribution than just putting more money in my pocket, or becoming more famous,” both of which he says he doesn’t need.

In Wilson’s book Half-Earth: Our Planet’s Fight for Life he proposes an achievable plan to save our imperiled biosphere: devote half the surface of the Earth to nature. Simon assures fans that his concerts will be music based saying they won’t be lectured to, though the book may be available.

Stranger To Stranger, Simon’s most recent solo album, was his first number-one hit on Billboard’s Top Rock Albums and Americana/Folk Albums charts.