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2015 ROPA Conference Details

The 31st annual Regional Orchestra Players’ Association (ROPA) Conference will be held at the Toledo, Ohio, Grand Plaza Hotel and Convention Center, July 28-July 30. An AFM negotiations seminar will take place July 27, starting in the morning. The conference room rate at the Grand Plaza Hotel is $99 per night, with a reservation cut-off date of June 25. (Use promo code 01G_123).

The ROPA Executive Board offers its sincere appreciation to Local 15-286 (Toledo, OH) President Alan B. Taplin and Secretary Emilie Sargent, ROPA Delegate Katherine Cosgrove, and Alternate Delegate Nora Shankin for their gracious hospitality in hosting the conference.

AFM Sues Studios over Illegal Reuse of Soundtrack Clips

The AFM is suing six major studios (Columbia, Paramount, Twentieth Century Fox, Universal, Walt Disney, and Warner Brothers) for reusing film soundtrack clips in other films and television programs without appropriately compensating musicians.

“Our agreements obligate the studios to make additional payments to musicians when soundtracks are reused and AFM members are entitled to receive the benefit of that bargain,” says AFM President Ray Hair. “Our efforts to resolve these contract violations and missing payments have been unproductive, so we are looking to the courts for relief.”

The lawsuit cites numerous examples of the studios violating their collective bargaining agreements by reusing film scores without paying musicians including:

  • Columbia using music from Karate Kid in an episode of the television series Happy Endings;
  • Disney using music from Beauty and the Beast and The Muppet Movie in the television series The Neighbors;
  • Fox using music from Titanic in the film This Means War;
  • Paramount using music from Up in the Air in the film Follow Me: The Yoni Netanyahu Story;
  • Universal using music from Bourne Identity in the television series The Office; and
  • Warner Brothers using music from Battle for the Planet of the Apes in the film Argo.

In the lawsuit the AFM is seeking damages for all losses, including prejudgment interest. You can read the entire complaint on the AFM website.

NMPA Sues Wolfgang’s Vault Over Copyright Infringement

The National Music Publishers’ Association has filed a copyright infringement suit against Wolfgang’s Vault on behalf of several music publishers. Wolfgang’s Vault disseminates concert videos and audio recordings through multiple websites, including ConcertVault.com, Daytrotter.com and MusicVault.com, as well as YouTube.

Wolfgang’s Vault claims to hold the “largest collection of live audio and video recordings online,” however much of the content is not properly licensed. Their websites attract around 50,000 visitors per day.

“The Wolfgang’s Vault websites have profited in large part because of the significant use of unlicensed music, primarily concert footage, available on their sites,” says David Israelite, President & CEO of NMPA. “Systematic copyright infringement cannot be a business model, and it is unfortunate that Wolfgang’s Vault chose not to compensate all of the creators responsible for their content. Hopefully, this lawsuit will bring publishers and many iconic songwriters the revenue they deserve for the use of their music.”

The lawsuit is part of NMPA’s continuing effort to ensure songwriters and their music publishing partners are compensated fairly and that their rights are protected. Members of NMPA have settled claims of copyright infringement with Maker Studios and Fullscreen, both large Multi-Channel Networks on YouTube. These settlements enabled music publishers and songwriters to be compensated for past copyright infringements and license works going forward.

SiriusXM Faces Class Action Lawsuit Over Pre-1972 Music

US District Judge Philip Gutierrez granted a motion for a class action lawsuit over SiriusXM’s performance of pre-1972 sound recordings. The lawsuit will cover anyone who owns a pre-1972 sound recording that’s been played on the satellite radio service after August 21, 2009. According to an article in The Hollywood Reporter, the company reported more than $4 billion in revenue in 2014, with about 10% to 15% attributed to pre-1972 recordings.

SiriusXM tried to assert that because there isn’t any federal registration scheme governing pre-1972 recordings, it is hard to determine who owns what. While the plaintiffs agreed there is a need for a music licensing service to identify owners of the recordings, they identified SoundExchange, Evan M. Greenspan, Inc., and Music Reports, Inc. as entities with databases that could assist.

Gutierrez wrote: “class members can reliably identify themselves because SiriusXM has a record of the individual pre-1972 recordings that it has performed since August 21, 2009,” that “owners of the listed recordings can easily self-identify,” and “that challenges by Sirius XM will be rare because Sirius XM itself does not own recording rights or track pre-1972 recording ownership rights.”

Copyright Extended and Anti-Union Bill C-377 Moves Forward

 

Prior to May of this year, the copyright on sound recordings in Canada extended 50 years after release. In a surprise move, the Harper government, without any public consultation or discussion, moved to extend protection to 70 years as part of the budget. Sadly, the change did not include authors and publishers, where copyright protects the song for the life of the author plus 50 years.

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British Columbia Court of Appeal Affirms Primacy of AFM Bylaws

The Court of Appeal sitting in British Columbia has allowed the appeal and sustained the arguments of AFM Local Counsel Bruce Laughton in objection to a lower court decision that had set aside the trusteeship of Local 145 (Vancouver, BC) and declared Article 15(6)(b) of the AFM’s bylaws unenforceable in the province. Vancouver Musicians’ Association Local 145 v. American Federation of Musicians, 2015 BCCA 171. The judgment, issued April 16, poses a substantial roadblock to employer operatives in the area who aimed to hijack the union and then divert its resources to their own purposes and objectives.

Local 145 was placed in trusteeship in May 2013 as a result of an unauthorized buyout agreement made between the then-officers of Local 145 and an electronic media employer, Vancouver Film Orchestra (VFO), in violation of Article 15(6)(b) of the bylaws. The employer, backed by the former Local 145 officers, petitioned the BC Supreme Court to give effect to the substandard agreement and set aside the trusteeship. The rationale for this position hinged upon the provincial Labour Relations Board’s reservation of jurisdiction to “trade unions” whose key collective bargaining decisions are made by people in the province, as opposed to a national or international organization. Failing to spot the fallacy, the Supreme Court held Article 15(b)(6) unenforceable in BC because of its “relegation of a member local to bargain outside the protection of the [BC] statutory scheme, without the status of a trade union,” allegedly in conflict with other AFM bylaws presumed to require affiliated locals to be “trade unions” within the meaning of provincial law. Vancouver Musicians’ Association (Canadian Federation of Musicians, Local 145) v. American Federation of Musicians, 2014 BCSC 1713.

In stark contrast, the BC Labour Relations Board already had determined that the VFO agreement was not a valid collective bargaining agreement and was of no force or effect. Vancouver Film Orchestra Inc., BCLRB No. B197/2013. This decision was based specifically upon the board’s conclusion that the impugned bylaw was indeed a binding and enforceable provision governing the affairs of Local 145. According to the board, even if Local 145 is not a “trade union” under the BC Labour Relations Code, such fact does not render AFM Bylaws inoperative, and Local 145 remains subject to contract law, common law, and all other requirements of public law.

The Court of Appeal reversed the Supreme Court upon finding, consistent with the Labour Relations Board, that there were no conflicts in the AFM Bylaws and that their interpretation and application created no difficulties. Moreover, it found that the employer could not have reasonably believed that Local 145 had authority to enter into the buyout agreement, and as such, the buyout agreement is void. In summarizing the rather convoluted lower court opinion, the appellate justice stated, “… the judge in this case was not uncovering the true intentions of the parties; rather, she was remaking the agreement in accordance with her own assessment of what the parties’ priorities ought to have been. Such an exercise is not permissible.” Thus, the AFM’s authority to regulate standards for electronic media work throughout North America has been vindicated in a decision of hefty precedential clout.

The matter of the trusteeship of Local 145 has been remitted back to the Supreme Court for further consideration consistent with the Court of Appeal’s ruling.

Longtime Huntington Musician Honored

Local 362-691 Board Member Leonard “Pappy” Battise (left) congratulates Secretary Bill Spurlock for his many years of dedicated service to the local.

Local 362-691 Board Member Leonard “Pappy” Battise (left) congratulates Secretary Bill Spurlock for his many years of dedicated service to the local.

Local 362-691 (Huntington, WV) honored one of its own for completing 69 years as a member and for serving the past 32 years as its secretary-treasurer. Huntington auto dealer Bill Spurlock was also recognized for his service to the union and the community.

Spurlock is a dedicated musician who plays the sax, flute, clarinet, and more. Even at 86 years old, you can find him regularly working at the auto dealership he founded 30 years ago, and he’s still willing to scrub and polish the floors if necessary.

Spurlock joined Local 362-691, which covers musicians in Ohio, Kentucky and West Virginia, in 1946. “He is very dedicated at any task he does,” says Local 362-691 Board Member Leonard “Pappy” Battise. “But he still conducts business with an ink pen and paper.”

Spurlock is a dedicated family man and a disciplined union member. “He knows the rules and expects others to know and follow them,” says Battise.

Labor Groups Oppose ISDS in Trade Agreements

The AFL-CIO and the Canadian Labor Congress (CLC) have reaffirmed their opposition to the Trans-Pacific Partnership (TPP), the Comprehensive Economic and Trade Agreement (CETA), the Trans-Atlantic Trade and Investment Partnership (TTIP), and Fast Track legislation that allows no amendments and limited debate on trade deals.

Among the provisions of the trade deals, the unions find investor-to-state dispute settlement (ISDS) especially egregious. ISDS essentially allows foreign property owners to skip domestic courts and administrative procedures in seeking taxpayer reimbursement for losses to expected profits from laws, regulations, administrative decisions, and other government measures. They can instead sue the host country through a panel of private “arbitrators.” Labor groups contend that such extreme rights to challenge democracy are not good for domestic business, citizens, nor the rule of law. The AFL-CIO and CLC say they “will not cease in our efforts to promote good jobs, raising wages, strong social safety nets, state-of-the-art public services and infrastructure, and an end to corporate power grabs like ISDS in all pending trade and investment agreements.”

For more information about Fast Track in trade deals and why groups oppose it visit: www.stopfasttrack.com. To sign a petition to tell Congress to oppose Fast Track visit: www.nofasttrack.com.

How You Can Help Stop Payola

Payola, the practice of record companies paying broadcasters to air their music on the radio, is bad for music and the music industry. It makes it nearly impossible for artists without a large label behind them to be played on commercial stations. In the past 20 years, mega broadcasters like iHeartMedia (Clear Channel), Entercom, and Cumulus have transformed commercial radio from a vibrant community forum into a virtual nationwide jukebox with the same songs and artists played over and over. Under current law, payola is only legal if it’s disclosed at the time a paid-for song is played, but that’s not to say the labels play by the rules. In 2007, investigators found such widespread evidence of payola that the broadcasters were forced to pay $12.5 million to settle claims. Now, these same broadcasters are trying to replace the required on-air disclosers with a note hidden on their station websites.

“If this were to happen, it would seal the deal for commercial radio just being a closed system for large media companies to promote their products,” Future of Music Coalition CEO Casey Rae tells The New York Times.

Find out how you can help stop payola and make your voice heard at StopPayola.com.

Proposed Bill Will Provide Musicians Fair Pay for Air Play

Below (L to R): AFM Local 802 (New York City) Member “Blue” Lou Marini; AFM President Ray Hair; AFM International Executive Board Member (IEB) and Local 257 (Nashville, TN) President David Pomeroy; US Representatives Marsha Blackburn (R-TN) and Jerrold Nadler  (D-NY); and IEB Member and Local 802 President Tino Gagliardi.

On April 13, AFM President Ray Hair gathered with other music industry leaders to show support for the Fair Play Fair Pay Act of 2015, introduced by representatives Jerrold Nadler (D-NY) and Marsha Blackburn (R-TN). This monumental legislation would finally ensure that musicians are compensated fairly when their music is played on any radio platform—Internet, satellite, or traditional AM/FM. Also present at the launch were AFM International Executive Board member (IEB) and Local 257 President (Nashville, TN) David Pomeroy; IEB and Local 802 (New York City) President Tino Gagliardi; as well as representatives from the musicFIRST Coalition; record labels; and the music community.

Under the current legislation, a loophole allows AM/FM radio to play music without compensating musicians, singers, and featured artists. Internet radio and satellite radio both compensate performers, but satellite pays a lower rate. Due to another loophole, some digital services are also claiming they don’t have to pay for pre-1972 recordings. The Fair Play Fair Pay Act would level the playing field.

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Above (L to R): AFM Local 802 (New York City) Member “Blue” Lou Marini; AFM President Ray Hair; AFM International Executive Board Member (IEB) and Local 257 (Nashville, TN) President David Pomeroy; US Representatives Marsha Blackburn (R-TN) and Jerrold Nadler (D-NY); and IEB Member and Local 802 President Tino Gagliardi.

“Professional musicians should be adequately compensated for the joy we bring to the world,” says Hair. “The US is the only Western nation denying terrestrial radio performance rights to musicians, who are struggling in today’s economy. Not only is this shameful, it is costing hard-working musicians millions of dollars.”

Hair explains that the problem even extends to music played overseas. US musicians and artists are also losing millions annually because other countries that do collect performance royalties are not paying US musicians, because the US does not reciprocate to non-US artists.

“It is time for Congress to update music licensing laws,” says musicFirst Coalition Executive Director Ted Kalo. “AM/FM radio, satellite radio, and Internet radio exist side by side in car dashboards and compete for the same listeners. But whether performers or copyright owners are paid, and how much, depends solely on what button you press or app you choose. On Internet radio, it is one rate. On satellite, it is a different, lower rate. And on AM/FM, there is no rate at all—music creators get paid nothing. I think we can agree that makes no sense.”

Join the thousands of musicians and music lovers supporting this bipartisan legislation (#FairPlayFairPay), visit: musicfirst-coalition.rallycongress.com.