Innovation stand-up bass strings, which have until recently been manufactured in the UK, are now being made in the US. The specialized machinery, unique non-metallic cores, and original winding materials have been combined with the original hand-spun manufacturing specifications to reproduce traditional Innovation Bass Strings in America. GHS has a lineage dating back to 1964, over the years producing a number of various products for bass guitar, acoustic and electric guitar, ukulele, banjo, dulcimer, bajo sexto, and more.
Tag Archives: cool tools
Erica Synths Black Stereo Delay
Erica Synths Black Stereo Delay is a hi-fi stereo delay with adjustable delay time. It also offers tape, digital, and ping-pong modes; tap and clock synchronization of delay time; hold mode with overdub; and feedback control in combination with CV and trigger control.
The Epiphone Limited Edition Jason Hook M-4 Explorer
The Epiphone Limited Edition Jason Hook M-4 Explorer features deep cutaway body for easy access to its 22 super jumbo-sized frets and an angled scarf across the top to provide a comfortable armrest. The neck has a Custom SlimTaper profile, granadilla fingerboard with 12-inch radius, and pearloid dot inlays. Hook chose Seymour Duncan pickups with SH-1 Vintage ’59 Humbucker in the neck position and SH-4 “JB” Humbucker in the bridge position. The guitar’s pure white finish has Hook’s signature M-4 “Sherman” graphics.
Grandma of SyNths
A semi-modular analog synthesizer with built-in arpeggiator, sequencer, and spring reverb tank, Grandmother harks back to Moog’s modular roots. While capable of highly complex sounds and modulation, it requires no patching. The endlessly reconfigurable front panel provides an infinite sonic playground. Grandmother is also an ideal analog audio processor for external sound sources, and a powerful keyboard front end for expanding a Mother-32, DFAM, or Eurorack modular system.
Steinberg’s UR-RT2 & UR-RT4
Steinberg’s UR-RT2 (four inputs/two outputs) and UR-RT4 (six inputs/four outputs) interfaces offer a production studio solution for any situation. Featuring durable full-metal casing and quality components, including Rupert Neve Designs transformers and studio-grade Yamaha D-PRE preamps, both offer USB 2.0 and MIDI connectivity and a range of input/output options for laptop and iPad, as well as provide DSP-powered effects for zero-latency monitoring. Included is Cubase AI DAW software download version for Mac and PC and Cubasis LE DAW app for iPad.
Allen & Heath SQ Series Digital Mixers
Allen & Heath SQ Series digital mixers, available in two models, bring high-resolution audio performance to a customizable, compact, cost-effective, easy-to-use, multi-application platform. Rack-mountable SQ-5 has 16 onboard preamps, 17 faders, and eight softkeys, while SQ-6 provides 24 preamps, 25 faders, four assignable rotary controls, and 16 softkeys. Both feature 56 input channels via remote expanders and a networking slot for optional Dante, Waves, and other cards.
DPA’s d:vote 4099 Microphone
Streamlined design and powerful CORE technology let DPA’s d:vote 4099 microphone brings clarity and details to music, across the entire dynamic range. From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote series sounds equally impressive. This one microphone model and wide range of available clips can beautifully reinforce an entire orchestra.
Yamaha EAD10 Stand-Alone Drum Module
Yamaha EAD10 stand-alone drum module system lets drummers easily capture sounds on an acoustic kit with a single microphone/trigger component attached to a digital processor. The easy-to-mount system also allows you to add effects, providing endless creative potential with nearly 800 stored sounds and effects, an onboard sampler and 50 present combinations, with the ability to program 200 more. Live bands performing in small venues can connect the central module to a mixer and use EDA10 as a reference for the PA system to integrate the sound to a more coherent whole.
Neumann U 67 Tube Microphone
The Neumann U 67 tube microphone, introduced in 1960, quickly became the quintessential studio workhorse, defining the sound of the ’60s. For the first time in decades, U 67 is back in production, built to its original specifications. With its three selectable polar patterns—omni-directional, cardioid, and figure eight—plus advanced tube circuitry, including low-cut and pad switches—it is equipped for almost any recording task, from vocals to instruments. It comes in a vintage case that also includes an elastic suspension, microphone cable, and NU 67 V power supply designed to meet today’s strict safety requirements. The new NU 67 V is fully compatible with older U 67 microphones.
95000 Performance Loop Laboratory Looper
The 95000 Performance Loop Laboratory is Electro-Harmonix’s most advanced looper, featuring six mono tracks and one stereo mixdown track per loop, the capability to adjust speed over a two-octave range, as well as reverse playback and recording. It can record up to 375 minutes and 100 loops on the included 16G Micro SD card. Switching between loops is quick and easy. Robust inputs/outputs include: two audio inputs, instrument or unbalanced line input, left/right outputs, monitor out, and headphone out. Housed in a rugged aluminum chassis, Performance Loop Laboratory is easy to use on a tabletop or as a foot-pedal unit. It comes with an EHX 9.6V 500mA power supply.