Tag Archives: books

hungarian march

Franz Schubert: Hungarian March and Rondo

hungarian march

Webster’s arrangement focuses on Schubert’s “Divertissement à l’hongroise, D.818,” a rather lengthy affair that can exceed half an hour to perform. The third movement does not lend itself to a setting for flute, clarinet, and piano, but Webster has faithfully transcribed the first two movements (in reverse order) as an excellent example of the influence of Hungarian music on Schubert’s writing.

Franz Schubert: Hungarian March and Rondo, arranged by Michael Webster, Theodore Presser Company, www.presser.com.

practizma practice journal

Practizma Practice Journal: 16 Weeks of Efficiency, Empowerment and Joy for Musicians

practizma practice journal

The Practizma Practice Journal by Susanna Klein, of Local 123 (Richmond, VA), allows users to track their practice, reinvigorate practice, and enjoy the journey of being a musician. The journal is designed for amateurs, students, and professionals of all instruments. The book includes 16 weeks of goal setting, 16 reflection prompts, 16 action challenges, practice ideas, injury prevention strategies, efficiency tips, and practice journal pages.

Practizma Practice Journal: 16 Weeks of Efficiency, Empowerment and Joy for Musicians, by Susanna Klein, Practice Blitz LLC, www.practizma.com.

conducting opera

Conducting Opera: Where Theater Meets Music

conducting opera

Conducting Opera discusses operas in the standard repertory from the perspective of a conductor with a lifetime of experience performing them. Author Joseph Rescigno, of Local 802 (New York City), opens with a chapter discussing his performance philosophy, then covers operas by Mozart, Rossini, Verdi, Wagner, Bizet, Puccini, and Strauss. The book includes practical advice about propelling a story forward, how to support singers, and staying true to the styles discussed.

Conducting Opera: Where Theater Meets Music, by Joseph Rescigno, University of North Texas Press, https://untpress.unt.edu.

canyon shadows

Canyon Shadows

canyon shadows

Canyon Shadows is inspired in large part by the Grand Canyon of the American Southwest. Hoover envisioned an ancient time when natives first came across this geological wonder. For this vision, she sought to combine a Native flute with the modern silver flute, native music with “western” music, and bringing forth natural sounds through music notation.

Canyon Shadows, by Katherine Hoover, Papagena Press, www.presser.com.

Suite Francaise No 3

Jean-Sebastien Bach: Suite Francaise No 3 (for Two Guitars)

Suite Francaise No 3

This transcription of Bach’s Third French Suite offers a particularly good example of the potential of the guitar duo in terms of polyphonic or rhythmic writing and ornamentation. This suite—from the famous “Six French Suites”—was composed at the end of the Bach’s stay at the Köthen court. Bach’s knowledge of (and interest in) French harpsichord music and technique is evident throughout the Suite.

Jean-Sebastien Bach: Suite Francaise No 3 (for Two Guitars), transcribed by Jean Horreaux, Gerard Billaudot, www.billaudot.com.

jazz concertino

Jazz Concertino: for solo flute and flute ensemble

jazz concertino

Peter Senchuk, of Local 47 (Los Angeles, CA), had long held a desire to venture into the jazz realm in composing, and his new Concertino was the perfect excuse. Though he avoids any use of improvisation, he says he “relied heavily on jazz melodic, harmonic, and rhythmic structures.” The Concertino opens with a long, free solo, encouraging the artist’s individuality, with the ensemble slowly gaining ground as the work progresses.

Jazz Concertino (for solo flute and flute ensemble), by Peter Senchuk, Forest Glade Music Publishing, www.forestglademusic.com.

to touch their harps of gold

To Touch Their Harps of Gold: 22 Favorite Christmas Carols (arranged for harp)

to touch their harps of gold

Schocker’s third collection of Christmas carols arranged for solo harp dives deeper into traditional carols across Europe, from Portugal to Scandinavia. This set of 22 carols augments his two previous collections: Joy to the World! (21 Favorite Christmas Carols) and In the Moon of Wintertime (20 Favorite Christmas Carols).

To Touch Their Harps of Gold: 22 Favorite Christmas Carols (arranged for harp), by Gary Schocker, Theodore Presser Company, www.presser.com

Jazz Baroque:Vivaldi/Bach

Jazz Baroque:Vivaldi/Bach

Jazz Baroque:Vivaldi/Bach

Pianist Lee Evans, of Local 802 (New York City), has released his latest intermediate/upper-intermediate level book, which consists of 13 jazz-tinged piano solo arrangements of music from the Baroque era. Selections include music from Antonio Vivaldi’s The Four Seasons, J.S. Bach’s organ preludes, Inventions and Sinfonias, a work by him for solo cello, and his famous Jesu, Joy of Man’s DesiringJazz Baroque:Vivaldi/Bach is available only in an interactive digital format in SuperScore Music on the iPad.

Jazz Baroque:Vivaldi/Bach, by Lee Evans, SuperScore Music, www.timewarptech.com.