Tag Archives: top 10

Top 10 Reasons to Record AFM

In summary, and with apologies to David Letterman, the EMSD staff have compiled the Top 10 most important reasons why you should record under AFM agreements:

1Standard wages—You are guaranteed to receive at least the minimum standards for your services.

 Doubling and overdubs—In addition to the wage payments, the employer is required to make payments for your doubling and overdub services.

 Foreign use—If you perform services in the production of a show produced under most of the AFM’s television agreements, aside from the payment due to you for your original services, if the program is broadcast overseas, you will receive additional payments.

DVD payments—If the program is released into the DVD format, you will be entitled to additional payments that will continue to accrue based on the gross receipts.

Pension fund contribution—The employer is required to make a pension fund contribution on your behalf, which puts your session work into the system.

Health and welfare fund contribution—The employer is required to make a health and welfare contribution, either to the health plan of your local (if it has one), or directly to you.

Special payments fund—If you perform services on a session(s) for a sound recording, you are guaranteed to receive payments from the Sound Recording Special Payments Fund for the next five years.

Secondary markets fund—Under the Basic Theatrical Motion Picture or Television Film Labor Agreements you will qualify for distributions from the Film Musicians Secondary Markets Fund, should the film be released to outlets such as pay cable TV or the home video market.

 Reuse—Under the Commercial Announcements Agreement you will receive periodic reuse payments for any new cycles the commercial(s) enter into.

And the number one reason to record AFM:

 New use—If you perform services under an AFM agreement and your product is licensed for use in another medium, such as a theatrical motion picture, television film, or commercial announcement, you will be entitled to additional payments as if you had performed the work under that agreement.

Top 10 Most Important Reasons Why You Should Record Under AFM Agreements

In summary, and with apologies to David Letterman, the EMSD staff have compiled the Top 10 most important reasons why you should record under AFM agreements:

10. Standard wagesYou are guaranteed to receive at least the minimum standards for your services.

9. Doubling and overdubs—In addition to the wage payments, the employer is required to make payments for doubling and overdub services.

8.  Foreign use—If you perform services in the production of a show produced under most of the AFM’s television agreements, aside from the payment due to you for your original services, if the program is broadcast overseas, you will receive additional payments.

7. DVD paymentsIf the program is released into DVD format, you will be entitled to additional payments that continue to accrue based on the gross receipts.

6. Pension fund contributionThe employer is required to make a pension fund contribution on your behalf, which puts your session work into the system.

5. Health and welfare fund contributionThe employer is required to make a health and welfare contribution, either to the health plan of your local (if it has one), or directly to you.

4. Special payments fundIf you perform services on session(s) for a sound recording, you are guaranteed to receive payments from the Sound Recording Special Payments Fund for the next five years.

3. Secondary markets fundUnder the Basic Theatrical Motion Picture and Television Film Labor Agreements you will qualify for distributions from the Film Musicians Secondary Markets Fund, should the film be released to outlets such as pay cable TV or the home video market.

2. Reuse—Under the Commercial Announcements Agreement you will receive periodic reuse payments for any new cycles that commercial(s) enter into.

And the number 1 reason to record AFM:

New useIf you perform services under an AFM agreement and your product is licensed for use in another medium, such as a theatrical motion picture, television film, or commercial announcement, you will be entitled to additional payments as if you had performed the work under that agreement.

 

10 Questions Music Entrepreneurs Should Be Able to Answer

by Michael Drapkin

The days in which the music offered in stores and on the radio was controlled by a handful of large corporations are rapidly receding. Increasingly, working musicians are following their own paths–and hearts–by becoming music entrepreneurs, and reaching out to audiences directly.

The Internet is the rock that has shattered traditional models of the music industry, and many acts are finding it tempting to bypass a traditional path to a musical career, working for someone else. Today’s working musicians are starting their own record labels and merchandising companies, and they are distributing CDs, booking gigs, and managing their own careers.

But before you tell your music director what he can do with his baton, you may want to think about the following issues:

10 Questions Music Entrepreneurs Should Be Able to Answer

1) What makes you different? You are competing with many other musicians with similar dreams about making it big on their own terms. What is different about what you want to do? How are you going to stand out? Think about what you are proposing to do and see if it fulfills one of the following: Do you entertain people? Do you save or make them money? Do you make their lives easier? If you cannot say “yes” to one of these three, then get a new plan.

2) Can you take initiative? Every journey starts with a first step, and that is especially true with new business ventures. Just taking the plunge is a huge challenge. Can you bring together everything that is needed for success?

3) Can you make decisions? Having the title “chief executive officer” does not guarantee success. In fact, I have seen many startup firms fail because of lack of decision-making ability. Sometimes even a wrong decision is better than no decision. Find mentors or friends who can give you good advice, and then execute! That’s what “executives” do.

4) Are you an innovator? Do you sense opportunities that perhaps few others see? Do you have a vision? Here are three reasons why people start businesses: a) to begin a professional practice, like a doctor or lawyer (freelance musicians often fall into this category); b) you see a market for something that doesn’t yet exist (but it may not exist because no one wants it!); c) you think you can build a better mouse trap.

5) How do you deal with risk? Are you afraid that if you fail you will become homeless? Unlikely, but if you only see a gray cloud of uncertainty instead of a fantastic opportunity about to come to your door, then don’t become an entrepreneur.

6) Are you organized? Unlike in a big company with lots of staff and resources, you are going to have to start out doing most things yourself, from making the coffee to bookkeeping. Are you a natural organizer who makes “to do” lists? Do you have follow through?

7) Can you sell? Now there’s a dirty word! The truth is that musicians advertise their wares every time they play. Now just apply that passion to your business venture. Marketing and advertising is just spreading the word about something you love.

8) Can you plan? The traditional way of starting a business is to write a business plan, and there are lots of tools and resources for doing that. In order to be successful, you need to understand what you want to do, how you plan to do it, and what it will cost.

9) Where will you get the capital? It takes money to make money. Now that you have made your business plan, where will you get the funds you need in order to be successful? The single biggest reason why businesses fail is lack of capital.

10) Are you an optimist? Yes, you can be a realist, but you still have to believe in what you are doing. Entrepreneurs, by their nature, are optimists. Are you?

The 10 questions above will be explored further at the Brevard Conference on Music Entrepreneurship, at Brevard Music Center, Brevard, North Carolina, July 27 to 29.

Michael Drapkin is executive director of the Brevard Conference on Music Entrepreneurship. Learn more at www.bcome.org.