Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
February 21, 2019
Mackie’s DL series digital wireless mixers—DL16S (16-channel) and DL32S (32-channel)—deliver affordable performance and control in a sturdy stagebox.
Read MoreFebruary 20, 2019
Mahler’s Second Symphony, Resurrection is the third release in Minnesota Orchestra’s Mahler recording series, which will eventually record all of Mahler’s symphonies. Aside from Music Director Osmo Vänskä and the Minnesota Orchestra, members of Local 30-73 (St. Paul-Minneapolis, MN), the recording features soprano Ruby Hughes, mezzo-soprano Sasha Cooke, and the Minnesota Chorale.
Read MoreFebruary 19, 2019
Diversity within our union cannot be celebrated enough. While our membership runs the gamut in ethnicity, musical genre, age, and gender, the paucity of diversity within many of the workplaces in which we have representational duties continues to impede our effectiveness and growth.
Read MoreFebruary 18, 2019
Priced at under $25, Vibes high fidelity reusable earplugs are designed to provide the sound quality required by professionals. By lowering the volume of all sounds (bass to treble) equally, they avoid distorted sounds heard when using traditional foam earplugs.
Read MoreFebruary 15, 2019
The internationally renowned violinist Rachel Barton Pine’s Music by Black Composers (MBC) project has collected about 900 works by more than 350 black composers from the 19th through 21st centuries.
Read MoreFebruary 14, 2019
Antelope’s new Edge family of three large-diaphragm condenser microphones delivers the classic sound of some of the most sought-after vintage mics as both native plug-ins and as FPGA FX running on Antelope’s audio interfaces.
Read MoreFebruary 13, 2019
This is Local 8 (Milwaukee, WI) member Haynie’s first release after launching his solo career. Faith Over Fear is inspired by his own struggles to confront his weaknesses and overcome them with “faith, vision, and courage.” Haynie has faced many challenges growing up in poverty.
Read MoreFebruary 12, 2019
My colleague, fellow Local 433 (Austin, TX) member Aaron Lack and I hopped on a plane to Washington, DC, at the beginning of December. We were headed to American Federation of Musicians Leadership Training. The AFM hosted the three days of training with leaders from the AFL-CIO Organizing Institute at the Tommy Douglas Conference Center in Silver Spring, Maryland.
Read MoreFebruary 11, 2019
The Electro-Harmonix Flatiron Fuzz classic op-amp fuzz/distortion unit is the result of late ’70s style circuitry that delivers symmetrical hard clipping.
Read MoreFebruary 8, 2019
Saxophonist Gerald Albright of Local 47 (Los Angeles, CA) has dominated contemporary jazz since the 1980s. Albright made a name for himself as an R&B instrumentalist and his venerated status in the studio as a skilled session musician resulted in solo contracts with major labels.
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