Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.

FIND OUT MORE ABOUT THE AFM



Home » Products » New Releases » Julia Wolfe, Fire in my mouth


Julia Wolfe, Fire in my mouth

  -  

fire in my mouth

Julia Wolfe’s large-scale work for choir and orchestra Fire in my mouth was recorded live at the world premiere in January 2019 by the New York Philharmonic, The Crossing, and The Young People’s Chorus of New York City. New York Philharmonic musicians are members of Local 802 (New York City).

The piece was inspired by the infamous Triangle Shirtwaist Factory fire, which claimed the lives of 146 New York City garment workers—most of whom were young immigrant women—in 1911, and the political unrest surrounding it.

The recording features 146 female vocalists—commemorating the total number who perished in the fire—and incorporates elements derived from protest chants, courtroom testimonies, Yiddish and Italian folk songs, and an elegiac recitation of all 146 victims’ names.







NEWS