Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
“Showboat” clearly displays influences of Miles Davis and Chet Baker, and also pays homage to Newman’s love of rock bands like Nirvana, NOFX and Thin Lizzy.
This third album by percussionist Peter Kogan (Local 30-73, St. Paul-Minneapolis, MN) offers mainstream jazz that is challenging yet accessible, comprising seven of his originals and four classics.
Mahler’s Second Symphony, Resurrection is the third release in Minnesota Orchestra’s Mahler recording series, which will eventually record all of Mahler’s symphonies. Aside from Music Director Osmo Vänskä and the Minnesota Orchestra, members of Local 30-73 (St. Paul-Minneapolis, MN), the recording features soprano Ruby Hughes, mezzo-soprano Sasha Cooke, and the Minnesota Chorale.
This is Local 8 (Milwaukee, WI) member Haynie’s first release after launching his solo career. Faith Over Fear is inspired by his own struggles to confront his weaknesses and overcome them with “faith, vision, and courage.” Haynie has faced many challenges growing up in poverty.
Known for his rich deep voice and distinctive style, Grammy-nominated country musician Josh Turner has sold more than 2.5 million units. I Serve a Savior marks his first gospel album and first appearance in Billboard’s Christian charts, debuting at number two both on that chart and the Top Country Albums Chart and number one on Nielsen’s Country Albums Chart.
Local 41 (Johnstown, PA) member Tom Brunner isn’t kidding when he says “Weird Band Alert!” He wears a chicken head onstage while performing television show theme songs such as “Hawaii 5-0” on a Suzuki Q-Chord synth-guitar, and squawks occasionally. The Final Cluck contains 27 tunes, from “Turkey Bells” to “Coconut Island of Love.”
The award-winning Broadway musical The Band’s Visit is based on a 2007 Israeli film of the same name. It tells the story of a group of Egyptian musicians, the Alexandria Ceremonial Police Orchestra, who come to Israel to perform and end up getting stuck overnight in the wrong town.
The bond between Local 802 (New York City) members Chick Corea and Steve Gadd goes back more than 50 years. The two-disc album Chinese Butterfly is a result of the two musicians’ long-held desire to work together more intensely.
Dierks Bentley Seven albums into his career, Riser was a defining album for 14-time Grammy nominated country singer/songwriter, restauranteur, and philanthropist Dierks Bentley, of Local 257 (Nashville, TN). The album’s blend of down-home party music and introspective ballads resulted in one of the most personal of his career, garnering rave reviews, critical accolades and chart-topping […]
Local 47 (Los Angeles, CA) member John Rodby makes reference to his aversion to the use of computers in composition and orchestration with the title Tyranoscorus Rex.