Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
The Concertino opens with a long, free solo, encouraging the artist’s individuality, with the ensemble slowly gaining ground as the work progresses.
The Roskott Trumpet Concerto was commissioned to offer a full-length concerto representing the many voices of the trumpet as they occur in orchestral music but where the instrument would always be heard.
Schocker’s third collection of Christmas carols arranged for solo harp dives deeper into traditional carols across Europe, from Portugal to Scandinavia.
Jazz Baroque:Vivaldi/Bach by pianist Lee Evans consists of 13 jazz-tinged piano solo arrangements of music from the Baroque era.
The first English translation of Hausegger’s treatise.
Impromptu, Op. 86 and Une châtelaine en sa tour, Op. 110 Here in one volume for the first time are Gabriel Fauré’s “Impromptu, Op. 86,” one of the most iconic and played pieces in the harp repertoire, and the much less accessible “Op. 110, Une Une châtelaine en sa tour.” Both pieces have been engraved […]
Jazz double bassist Ron Carter discusses walking bass lines.
A clearly organized system for flutists to prepare and train musically and mentally for auditions.
(for cello and piano) Inspired by the film noir genre of 1940s cinema, Noir Vignettes for cello and piano consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette. Noir Vignettes (for cello and piano), by Stacy Garrop, Theodore Presser Company, www.presser.com.
This set of Variations is the only known work by Clement that features guitar.