Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit



Richard Strauss: Sechs Lieder for medium voice and piano – op. 19

This is a new practical edition of “Sechs Lieder” op. 19 by Richard Strauss from “Lotosblätter” by German poet Adolf Friedrich von Schack (1815-1894).

Beethoven’s Moonlight Sonata Excerpt for solo cello and Beethoven’s Moonlight Sonata – Excerpt for solo viola

Cellist Jan Kelley of Local 47 (Los Angeles, CA) has published this excerpt for either solo cello or solo viola from Beethoven’s famous sonata for piano No. 14, Op. 27 #2 – the “Moonlight Sonata”.

Three’s a Crowd (for flute, oboe, and bassoon)

“Three’s a Crowd” includes five imaginary conversations for flute, oboe, and bassoon, using music rather than words. Sometimes harmonious, sometimes impatient, but like any carefully observed conversation, always complex and interesting.

La Cathédrale Engloutie (The Sunken Cathedral)

La Cathédrale Engloutie is one of the preludes included in Debussy’s first volume of piano preludes published in 1910.

karen tuttle legacy

The Karen Tuttle Legacy

The Karen Tuttle Legacy is a resource and guide for viola students, teachers, and performers to revolutionize their playing based on what works best for each individual’s unique physiology.

corky hale uncorked

Corky Hale Uncorked!

Corky Hale Uncorked! is the life story of the inimitable jazz harpist/pianist/vocalist, social activist, and philanthropist.

15 sinfonias

J.S. Bach’s 15 Sinfonias for Three Flutes

Flutist Bill Giannone of Local 802 (New York City) took J.S. Bach’s 15 Sinfonias, also known as “Three-Part Inventions,” for piano and transcribed them for three flutes.

weird al: seriously

Weird Al: Seriously

Weird Al: Seriously includes the parodies, original compositions, and polka medleys of the Weird Al universe through interviews with Yankovic himself.

music: a subversive history

Music: A Subversive History

Music: A Subversive History by Ted Gioia tells a 4,000-year history of music as a global source of power, change, and upheaval.

women at the piano

Women at the Piano: Solo Works by Female Composers of the Nineteenth Century

Women at the Piano sheds light on the unheard music and untold story of female composers of the 19th century, offering not only pristine editions of neglected and forgotten musical works, but also insights into the historical context of which these remarkable pieces emerged.