Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
Violinist Belinda Whitney of Local 802 (New York City) has forged an exciting and diverse career. She’s currently concertmaster and personnel manager for The Knickerbocker Chamber Orchestra, concertmaster for the Broadway show My Fair Lady, performs with the Harlem Chamber Players, plus does a wide range of commercial gigs.
Bush, a Local 257 (Nashville, TN) member, cherishes the art of co-writing, and for Storyman he co-wrote every song. Among his collaborators were Jeff Black, Emmylou Harris of Local 161-710 (Washington, DC) and master of songwriting, the late Guy Clark. And, Bush’s entire band contributed to the tune “It’s Not What You Think.” Among guest […]
Alexander Laing thinks a lot about diversity, inclusion, and equity, especially in the context of the culture of orchestras and classical music. He’s spoken on the topic at symphonic conferences in the US and in the UK. Through a practice focused on sound, words, and people, the Phoenix Symphony principal clarinetist is hoping to be […]
The music of North America would be vastly different if not for the richness brought from other cultures. That’s one reason why the career of Tania León is so remarkable.
At age 66 this month and 40 years in, John Scofield is at the prime of his career. A major guitarist in the jazz scene since the 1970s, “Sco” is one of the most prolific jazz geniuses, in a perpetual cycle of recording and touring.
Faith Seetoo of Local 76-493 (Seattle, WA) has spent most of her adult life on the road as associate conductor with more than a dozen touring Broadway shows, among them: The Phantom of the Opera, Miss Saigon, Mamma Mia!, A Chorus Line, and Newsies. Since April 2017 she has been on the North American tour of Aladdin.
When Nurit Bar-Josef of Local 161-710 (Washington, DC) was selected as concertmaster for National Symphony Orchestra (NSO) at age 26, she was the youngest concertmaster ever appointed to a major symphony orchestra.
Carl Verheyen of Local 47 (Los Angeles, CA) is considered one of the most skilled guitarists on the scene—a guitar player’s guitar player—a combination of talent, intellect, and a lot of soul.
At age 26, Sarah Jarosz now regularly performs with her childhood influences. As a solo artist, the Local 257 (Nashville, TN) member took home two 2017 Grammy Awards from her fourth full-length album Undercurrent, released in 2016. It was also selected International Folk Music Album of the Year.
Joseph Conyers, assistant principal bassist for The Philadelphia Orchestra, is committed to community engagement and a belief that all young people should have music in their lives.