Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit


Home » International Musician » What Has RMA Been Up to Lately?

What Has RMA Been Up to Lately?

  -  Recording Musicians Association President and Member of Locals 47 and 802

by Marc Sazer, Recording Musicians Association President and Member of Local 47 (Los Angeles, CA) and Local 802 (New York City)

Pension Legislative Activism

We are very proud of the Recording Musicians Association’s role in pulling together a working group to help save our pension fund. With AFM President Hair’s support, many groups—ICSOM, RMA, ROPA, TMA, AFM Legislative Office (Alfonso Pollard and Sandra Grier), AFM Organizing Department (Michael Manley and Alex Tindal Wiesendanger) and AFM Communications Department (Antoinette Follett)—all worked together on the intense campaign.

Meredith Snow (ICSOM chair), Mike Smith (ROPA president), Tony D’Amico (TMA president), and I committed ourselves to activating rank-and-file musicians. The American Rescue Act has benefited musicians in a number of ways: allocating financial support to venues, making PPP loans available to unions, extending unemployment benefits, providing COBRA subsidies, and more. But creating a pathway to survival for our pension fund was a particularly tremendous accomplishment. Hundreds of AFM musicians generated thousands of targeted phone calls­—and we won!


RMA helped form a joint RMA-TMA committee on touring issues. Prepandemic, touring artists and musical productions provided a great deal of employment, yet rarely under union contracts. The industry is multi-faceted. There are superstar artists with groups of different sizes, productions that mix traveling with pick-up musicians in their orchestras, artists who travel with regular bands, and artists with side musicians who play regular weekend gigs from a home base.

The first goal of our committee is research. We know that this is a big conversation. Please feel free to contact me, if you have thoughts or questions about this project. We appreciate the participation of AFM Organizing & Education Director Michael Manley and Touring, Theatre, Booking Division Director Tino Gagliardi.


RMA is now preparing for film/TV negotiations by doing widespread research on TV contract compliance. In a survey of TV production by our signatory companies, you might be surprised to see how many projects out there could have and should have been under AFM contracts, but weren’t! Musicians should have and could have gotten standard wages, protections on the job, residuals and new use payments, and health and pension benefits, but they didn’t. In virtually every case, the actors, writers, directors, carpenters, costumers, and drivers all worked under union contracts. Only the musicians were denied.

Similar to the touring issues, research is central. We are identifying sources of information and cross-checking corporate filings, copyright office records, trade information, and more to verify and expose. RMA has formed a small research committee focused on this project.

Our goal is to share our methods and grow a cadre of AFM musician-researchers who are able to step in and support campaigns, whenever and wherever needed. If you are interested in participating, or have thoughts or suggestions, please feel free to contact me at

We’re all in this together.

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