Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
January 9, 2026
In a significant shift for the D.C. arts landscape, the Washington National Opera (WNO) has voted to end its affiliation with the Kennedy Center. Transitioning back to a fully independent nonprofit, the company is departing the venue it has called home since 1971. The decision follows prolonged organizational friction and a new business model at the center—now rebranded as the Trump Kennedy Center—that WNO leadership deemed incompatible with the unique financial and logistical demands of grand opera.
To ensure fiscal prudence during this transition, the WNO has announced it will reduce its spring season and relocate performances. Key productions previously scheduled for the Opera House are on the move: Scott Joplin’s Treemonisha and Robert Ward’s The Crucible will now be held at alternative venues, including George Washington University’s Lisner Auditorium.
The labor community is watching closely to ensure that this restructuring does not undermine the stability of the performers. While this marks a new chapter for the WNO, the AFM remains steadfast in ensuring that administrative independence never compromises worker protections or contractual integrity. AFM International President Tino Gagliardi made it clear that the union will ensure the orchestra remains protected during this overhaul.
“As the WNO Board has voted to end its affiliation with the Kennedy Center, my focus is on supporting the Washington National Opera Orchestra,” Gagliardi states. “I fully expect the WNO to honor its contract with these world-class musicians without disruption. The American Federation of Musicians stands with our members to ensure their livelihood and their art are protected.”