Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
June 12, 2017Jay Blumenthal - Secretary-Treasurer
Recently I was introduced to a young man who makes his living as a professional musician but engages with today’s marketplace in a very different way than I did when I began my career. As a college student, I remember wanting very much to join the union. It was a rite of passage. Becoming a union musician meant I was a true professional, and therefore, allowed me to take my place among the wonderful and talented musicians who made their living making music. I remember carting my bass to what was a rather pathetic excuse for a union hall (a smoke-filled room with a desk). Behind the desk was an elderly, rather rotund man with a raspy voice made so from all the cigars he’d smoked, one of which hung from his mouth. Blue-gray smoke wafted up towards the ceiling.
He greeted me with: “So kid, you want to join the union.”
“Yes,” I said.
“Okay,” he replied, “play me a D major scale.”
I played the scale and he said, “Alright, kid … you’re in. That’ll be $7 initiation fee and $14 first quarter dues.” As I pulled the cash out of my pocket he asked me my name for the first time. I spelled it for him as he filled out my first union card. With that, he shook my hand, saying, “See ya kid.” I left floating on air. I had arrived!
Today, it’s quite different. An entire underground music economy exists, inhabited mostly by Millennials and Generation Z. Gone are the days when union membership was a necessary rite of passage. Many young musicians perform mostly nonunion work for cash and have none of the benefits or protections of a union contract. That said, they do make a living from this work. They are not necessarily opposed to the union, but are for the most part unaware of the labor movement and the contributions unions have made to improving wages and working conditions.
What many young musicians do want is health insurance. While health plans are offered by some of our largest locals, contributions to the plans come from being on a union contract. So, if these musicians can be educated about the union and offered the opportunity to participate in a health plan, they may become interested in union membership.
As I learn more about this underground music economy, I will follow up by letting you know of any progress that is made working with tomorrow’s professionals.
Having just returned from the 4th International Orchestra Conference (IOC) of the International Federation of Musicians (FIM), I was pleased to see how participation has grown since 2008. The IOC was established at the suggestion of former AFM Symphonic Services Director and International Secretary-Treasurer Florence Nelson when she was serving as a FIM officer. The conference takes place triennially. This year’s was held in Montreal, sponsored by the Guilde des Musiciens et Musiciennes du Quebec, AFM Local 406. Two hundred and sixty-one delegates, representing 30 countries attended, including a large contingent from Ghana! The official AFM delegation included AFM President Ray Hair, Vice President from Canada Alan Willaert, International Executive Board member and Local 802 (New York City) President Tino Gagliardi, Director of Symphonic Services Rochelle Skolnick, Director of Symphonic Electronic Media Deborah Newmark, ICSOM Chair Meredith Snow, ROPA Delegate Naomi Bensdorf Frisch, OCSM President Robert Fraser, and myself. I would like to recognize the Local 406 President Luc Fortin, Secretary-Treasurer Éric Lefebvre, Vice President Montréal Geneviève Plante, and Vice President Québec Jacques Bourget. In particular, I want to recognize former Local 406 Executive Director Myléne Cyr and Conference Coordinator Alexis Pitkevicht, who organized the conference and handled communications and public relations. They did a wonderful job working with FIM to put on an excellent conference.
The world has become a global marketplace. We now understand that what happens in the global marketplace affects the work of all professional symphonic musicians. Coming together to strategize, discuss common problems, and show support and solidarity for one another is an important function of the IOC. Look for additional coverage of the IOC in the July issue of the IM.