Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
October 26, 2018
IM -Released June 29
SFS Media
This digital-only release from San Francisco Symphony, members of Local 6 (San Francisco, CA), and Music Director Michael Tilson Thomas (MTT), a member of Locals 47 (Los Angeles, CA) and 9-535 (Boston, MA), was recorded during live performances at Davies Symphony Hall in March 2017. Symphony No. 6 is known as Tchaikovsky’s final, and arguably, greatest symphony. Thomas explains that the work requires delicacy and vulnerability, but also requires enormous power. “This symphony, an amazingly constructed piece, is an outpouring of elegant melodic invention,” he says. “I have put my whole soul into this work.” The release follows San Francisco Symphony’s release of Tchaikovsky’s Symphony No. 5 and Romeo and Juliet Fantasy Overture (May 2015) and the inaugural episode of the Keeping Score documentary series (2004), which explored Tchaikovsky’s Symphony No. 4.