Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.

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Home » Recent News » Russia Locked Him Up but He’s Still Directing in Switzerland


Russia Locked Him Up but He’s Still Directing in Switzerland

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Kirill Serebrennikov, a leading stage and film director in Russia, is currently directing a production of Mozart’s Così fan tutte from 1,400 miles away. Under house arrest on embezzlement charges since August 2017, Serebrennikov has been sending videos to the cast and crew in Zurich to direct the production.

Serebrennikov isn’t allowed to use the Internet and can only converse with his lawyer, but does have access to a computer. Recorded rehearsals are sent to his lawyer who puts them onto a flash drive and passes them to Serebrennikov. The director then records his thoughts and his lawyer picks them up and passes them back to his assistant, Evgeny Kulagin.

“We chose this unusual path to support an artist in trouble,” states Zurich Opera Artistic Director Andreas Homoki. “It’s an extraordinary situation for us all,” says conductor Cornelius Meister. “But we all know that we have the opportunity to be part of something that people will talk about for years to come.”

On November 4, the show premiered at the Opernhaus Zurich.







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