Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.

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Home » Articles » Player Conferences — What Are They, and What’s Going on with TMA?
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Player Conferences — What Are They, and What’s Going on with TMA?

  -  Theatre Musicians Association (TMA) President and member Local 10-208 (Chicago, IL)

Occasionally, I have gone to speak to college music classes about the union, player conferences, and specifically the Theatre Musicians Association (TMA). Most of the students have inaccurate ideas about the union (AFM) and little or no knowledge of player conferences. This, of course, was the reason that I was there.

Each time I’ve done this, I’ve felt that the students not only enjoyed our presentation, but were also grateful for an honest representation of what’s really going on out there. However, I am surprised to encounter many union musicians, especially some who are performing in theatre pits, who have no idea about player conferences and their role in the AFM. I would like to illuminate folks on this issue. This may be redundant to some, but I hope informative to others.

In the AFM Bylaws, a player conference is defined as “A conference composed of representatives of member-musicians in specialized fields of employment.” Unlike the AFM and its locals, a player conference dedicates 100% of its focus on the genre it represents, i.e. theatre, orchestra, recording. There are five official player conferences in the AFM: International Conference of Symphony and Opera Musicians (ICSOM), Regional Orchestra Players Association (ROPA), Organization of Canadian Symphony Musicians (OCSM), Recording Musicians Association (RMA), and Theatre Musicians Association (TMA). Each player conference shares the common thread of having been formed by a group of musicians who desired focused representation of their group within the AFM.

The Player Conferences Council (PCC) comprises one representative from each of the five player conferences. The PCC meets several times each year via e-mail or teleconference to discuss what’s going on with their individual conferences, as well as mutual issues and concerns. It also meets annually (in non-AFM Convention years) with the Locals Conference Council (LCC). As stated in the AFM Bylaws, “The purpose of these councils is to exchange information and ideas on appropriate subjects regarding the good and welfare of the AFM, its locals, and its members.”

Speaking for TMA, I can honestly say that we have a great relationship with the AFM. AFM President Hair, the International Executive Board (IEB), and the AFM Touring/Theatre/Booking Division consult and keep us in the loop with all AFM theatre-related issues.

Player ConferencesTMA is a member of the AFM Pamphlet B Negotiating Committee, which is the contract for AFM musical theatre touring musicians. TMA also has its own Pamphlet B Committee, currently headed by TMA Vice President Walter Usiatynski, which prepares for the negotiations more than a year in advance. It does so through surveying our traveling and local members and one-on-one discussions with traveling musicians when they play shows in the jurisdiction of one of our chapters. We also compare notes with the AFM Touring/Theatre/Booking Division, headed by Michael Manley. He sends out a survey to touring musicians as well.

The AFM and the Broadway Theatre League have recently finished the first round of the 2016 Pamphlet B negotiations. TMA has a very active role on the negotiating team as it did in the previous negotiations in 2012. The present negotiations are scheduled to continue in July, after the AFM Convention.

TMA would like to congratulate the AFM on its historic 100th Convention! It will be held in Las Vegas, July 20-24. As a member of the PCC, TMA is allowed to address the AFM Convention. We will be speaking Monday, June 20.

I am proud to announce that the 21st Annual TMA Conference will be held August 22-23, 2016 in Washington, DC, at the Loews Madison Hotel. The Washington, DC, location was chosen to honor one of our newest chapters. We hope that you will be able to attend.

TMA is the AFM Player Conference devoted solely to issues and concerns of theatre musicians. We’re a voluntary organization. If you’re a theatre musician in the AFM, doesn’t it make sense to be a TMA member?







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