Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
March 1, 2020IM -
African-American violinist Melissa White, of Local 802 (New York City), was a featured soloist with the National Philharmonic Orchestra in a Black History Month celebration, “Black Classical Music Pioneers.” The concert, which occurred at The Music Center at Strathmore on Feb. 22, featured works by African-American composers of the 20th and 21st centuries.
Featured works included: Local 802 (New York City) member Wynton Marsalis’ “Wild Strumming of Fiddle,” a 12-movement work that fuses jazz and symphonic music to create a dizzying array of sounds, rhythms and melodies; Violin Concerto No. 1 by Florence Price (1887-1953), a highly accomplished work in the models of the European classical concerto by the first African-American woman to be widely recognized as a symphonic composer; “The Lyric for Strings” by George Walker (1922-2018), the first African-American composer to win the Pulitzer Prize for Music; and The Symphony No. 1 by William Grant Still (1895-1978), the first symphony written by an African-American composer.