Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
October 12, 2016Alan Willaert - AFM Vice President from Canada
The CFM, in preparation for the five-year review of Canada’s Copyright Act, is a part of a number of music industry coalitions. One of these groups is the Music Policy Coalition (MPC), bringing together the Society of Composers, Authors, and Music Publishers of Canada (SOCAN); Canadian Independent Music Association (CIMA); Canada’s Neighbouring Rights Collective (Re:Sound); the Alliance of Canadian Cinema, Television and Radio Artists (ACTRA); Québec Association for the Recording, Concert and Video Industries (ADISQ); Songwriters Association of Canada (SAC); and Union des Artistes (UDA), to name a few.
By combining voices, the message sent to government will have significantly more impact than individual presentations. That is not to say that we should not have our own voice. As in all cases where there is a wide and varied participation, there are distinct differences of opinion and objective.
In recognition of that, the MPC has decided to put forth a short list of guiding principles for copyright reform, as opposed to specifics. This allows for a better opportunity to achieve consensus.
While still in draft form, here are the main points:
Internet Protocol (IP) laws should establish a level, responsibly-governed playing field.
Canada’s cultural sector is an enormous source of strength to the Canadian economy and a key contributor to our unique identity as Canadians. Fair, balanced, and evenly applied rules will allow the industry to thrive by promoting consistency, confidence, and trade.
IP rights that are truly balanced, not just focused on use, will enable everyone to invest in innovation.
Strong, balanced copyright laws are vital to providing jobs and economic opportunities in our cultural and creative sectors. A strong, diverse culture that reflects Canadian identity is only possible when creators are properly incentivized for their valuable work.
Laws should reflect the technological and economic reality of the world that Canadians live in.
Consumption of cultural products is exploding in Canada and worldwide thanks to digital technological developments, but the revenues resulting from that consumption are not being returned fairly to those who create, own, and invest in such products.
Copyright is more important than ever as a tool for governing the digital forums where Canadians communicate and the global markets where they trade, but our laws must be properly designed to protect artists and creators in this online environment.
As cultural industries move from analog to digital, our rapidly-changing media landscape requires a legislative framework that can keep pace with the technological and economic realities that surround new cultural business models—locally and around the world.
The CFM has additional concerns, such as the copyright restrictions that would be imposed by the still-pending Trans-Pacific Partnership (TPP) and stronger adherence to the WIPO treaties. Those will be contained in a CFM-specific communication to Minister Joly.