Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.

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Home » Recent News » Memorializing the Grateful Dead’s First Performance in 1965


Memorializing the Grateful Dead’s First Performance in 1965

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The Grateful Dead will forever be associated with San Francisco and Haight-Ashbury, but the first official Grateful Dead show was actually performed some 65 miles south in San Jose on December 4, 1965. Last month, the city of San Jose officials unveiled a plaque at City Hall to commemorate the historic moment.

Long before the Grateful Dead became synonymous with tie-dye and Haight-Ashbury, its members were hustling through the coffeehouses and garages of the Peninsula and South Bay.

“This is about more than commemorating a concert—it’s about recognizing San Jose’s pivotal role in music history,” says Dan Orloff, founder of San Jose Rocks, the nonprofit organization spearheading the plaque campaign.

The installation also marks the raucous Acid Test, which Ken Kesey and his Merry Prankster followers once held in a Victorian house on the civic complex.

The ceremony included a Muwekma Ohlone land acknowledgment; remarks by Orloff and Mayor Matt Mahan; a talk on “the story behind the story” by Purdy; and a firsthand account of the 1965 acid test from organizer Ira Meltzer. 







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