Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

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The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.

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Home » Recent News » ‘Happy Birthday’ Still Not Free


‘Happy Birthday’ Still Not Free

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Some thought that Wednesday would bring a close to the battle over whether Warner/Chappell would retain the rights to “Happy Birthday.” Filmmakers working on a documentary about the song discovered new evidence that may prove that the song should be in the public domain. The “smoking gun” is in the form of a children’s book of songs from Warner/Chappell’s own digital library. The blurry 1927 edition of The Everyday Song Book contained the lyrics without a copyright notice and the copyright was not filed until 1935. The filmmakers say that the original composers of the song, Patty Smith Hill and Mildred Hill, had surrendered the song to the public.

Though July 29 hearing took a comprehensive look at ownership of the song, the judge hadn’t had time to review the new evidence and the final decision was postponed once again. Ownership of the tune brings in about $2 million to Warner/Chappell each year. If able to prove the tune was dedicated to the public years before the copyright registration, the filmmakers and others will no longer have to pay to use the song.







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