Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit


Home » Member Profiles » Film Brings Together World Drumming, Rock Star Composer, and Dallas Symphony Orchestra

Film Brings Together World Drumming, Rock Star Composer, and Dallas Symphony Orchestra


Dare to DrumOn September 19 the documentary film Dare to Drum, featuring numerous Local 72-147 (Dallas-Ft. Worth) AFM members, was launched on iTunes and Amazon. The video includes Dallas Symphony Orchestra (DSO) musicians, former Police drummer, turned composer Stewart Copeland of Local 802 (New York City), and features the group D’Drum. It is the story of a group of friends—Local 72-147 musicians Doug Howard (DSO principal percussionist), Ron Snider (DSO assistant principal percussionist, John Bryant (producer, composer, and percussionist), and Ed Smith (University of North Texas professor, percussionist, and vibraphonist)—who traveled the world collecting percussion instruments and created the percussion ensemble D’Drum.

“Eventually, we went to Bali and Balinese/Javanese style gamelan music really caught our attention,” explains Bryant. In 2008, they commissioned Copeland to compose Gamelan D’Drum, a three-movement piece featuring 75 world instruments and the Dallas Symphony Orchestra. The piece premiered in Dallas, February 2011.

From the start of the project, Bryant, who has more than 20 years of experience in filmmaking, saw the potential for a documentary film. “We had three cameramen shooting throughout the process of meeting, rehearsing, organizing, restructuring, trips to Bali, and finally the concert itself,” he says.

During a 2013 interview, Copeland said one of the purposes of creating the film was to promote orchestral music. “I think this film will increase the awareness that orchestras can really do interesting stuff. There are new things coming out of the orchestra world that are exciting, that pump, that rock, and that are awesome.”

An initial version of Dare to Drum was funded through a successful Kickstarter campaign in September 2013. It premiered at the Dallas International Film Festival April 2015, and played a few other film festivals later that same year. “All along, the goal was to find a distributor for the film,” says Bryant.

Kino Lorber expressed interest in late 2015. “I knew they would be the company to go with because their catalog is full of highly artistic films of all genres. Dare to Drum is an unusual film because of the disparate and eclectic elements involved—rock star composer Stewart Copeland meets work percussion group D’Drum to create a work of Indonesian gamelan music within a symphony orchestra setting.”

The original Dare to Drum had only about a four-minute montage of the 2011 premiere. “Although Kino Lorber thought the 85-minute documentary was great on its own, they wanted to add the full 30-minute February 2011 concert performance to the package,” says Bryant.

More money was raised to edit, mix, and finish the concert film. In total, 348 people around the world contributed $95,142 to create the final film.

“The money also paid Dallas Symphony Orchestra musician fees as stipulated in the AFM’s Integrated Media Agreement,” says Bryant. “It took a while, but we successfully raised the additional funds. And with great help from AFM Director of Symphonic Electronic Media Debbie Newmark, we signed release agreements with the Dallas Symphony musicians. I am happy to report that we were able to pay nearly $20,000 to the musicians in fees and pension fund contributions.”

As of September 19, the film is available on DVD and for streaming and downloads on iTunes, Amazon, and through It is also available for educational licensing through Estelle Grosso (

The film is great for students of all ages, says Bryant. “It covers orchestral music, world percussion, world travel in finding and creating old and new instruments, work with Stewart Copeland, and work with Dallas Symphony Orchestra Maestro Jaap van Zweden,” says Bryant.

NEWS abadicash abadislot Menara368 royalbola abadislot abadislot menara368 abadicash menara368 totoabadi Menara368