Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
Trumpet Omnibook features transcriptions of solos as played by some of the world’s leading jazz artists, including Arturo Sandoval of Local 47 (Los Angeles, CA); Chuck Mangione, Randy Brecker, and Wynton Marsalis of Local 802 (New York City);
The film noir genre of the 1940s typically includes a strong but flawed male lead and a beautiful woman who coerces the male into committing murder or is herself the killer with a twisting plot that involves one or more murders. These dark dramas shot in black and white are the inspiration for Noir Vignettes for Double Bass and Piano.
First arranged by Local 802 (New York City) member and clarinetist Richard Stoltzman, this edition of Lukas Foss’s Three American Pieces for Clarinet in Bb and Piano offers clarinet revisions by Seunghee Lee.
These 50 transcriptions, hand-selected by jazz teacher Charlie Shoemake and transcribed by Chris “Doc” Stewart of Local 586 (Phoenix, AZ), represent a wealth of material for jazz students exploring how to improvise.
Previously known only through a spurious edition in G Major, the authentic Concertino in F was discovered in Italy by Pedro Díaz, a member of Local 802 (New York City) and English hornist with the Metropolitan Opera Orchestra.
The Cello Power series is designed to expand cello students’ facility and knowledge of the instrument.
College Prep for Musicians decodes the complex process of choosing schools, clarifies vocabulary around the admission process, and shows students exactly how to prepare their best audition.
Part I includes 24 invigorating melodic détaché warm-ups drawn from sequences of Bach, Schubert, Dvořák, and others. Part II is a collection of 15 short melodies designed to open and center the tone, while encouraging full breath support.
Odyssey for Two Guitars was first presented by Fredric Hand, of Local 802, when he traveled to the island of Crete to perform at a guitar festival.
Friedrich Nietzsche: Selected Works for Piano is prepared from Nietzsche’s manuscripts and includes 19 pieces for piano which he composed from 1857 to 1874.