Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
August 31, 2015Tom Mendel - Theatre Musicians Association (TMA) President and member Local 10-208 (Chicago, IL)
The 20th Annual Theater Musicians Association (TMA) Conference was held at the Hotel Whitcomb in San Francisco, August 17-18. TMA Vice President Walter Usiatynski chaired Monday’s session. Usiatynski, TMA Northern California Chapter President Tom Bertetta, and Local 6 (San Francisco, CA) President David Schoenbrun welcomed the attendees.
AFM President Ray Hair made a very interesting and informative PowerPoint presentation on Media Convergence & Performance Rights. He recounted the AFM’s history from 1896 forward, eventually reviewing all types of AFM media agreements. He explained the tensions between US and international agencies that collect royalties and the progress that’s been made. He also discussed the AFM Integrated Media Agreement (IMA) and the SAG-AFTRA Fund/SoundExchange.
Among the topics discussed in my TMA President’s Report were: preparing for the Pamphlet B Negotiations (current contract expires 3/11/16); the formation of the Theatrical Orchestrations Committee because some publishing houses are no longer making some of the larger orchestrations available; reduced orchestrations; the formation of the TMA Officers & Members Video Training Committee to produce training videos for TMA officers and members on subjects such as running meetings, use of social media, etc. These will be great learning tools and located in our TMA Officers Toolbox.
TMA Vice President Walter Usiatynski gave a report on current and upcoming challenges, such as reduced orchestrations, nonunion tours, and our health care crisis. TMA Secretary-Treasurer Mark Pinto discussed TMA finances. All TMA chapter directors gave reports either directly or through their alternate directors.
Recording Musicians Association (RMA) President Marc Sazer and Regional Orchestra Players Association (ROPA) Vice President Nancy Nelson eloquently gave player conference reports. I read equally eloquently reports written by International Conference of Symphony and Opera Musicians (ICSOM) Chair Bruce Ridge and Organization of Canadian Symphony Musicians (OCSM) President Robert Fraser.
Membership-at-Large Director Lovie Smith-Wright read her report. Usiatynski read reports from Director for Broadway Jan Mullen and Director for Travelers Jamie Schmidt.
AFM Director for Touring, Theatre, Booking and Immigration Michael Manley reported on Pamphlet B tours currently on the road using comparative data of Full Pamphlet B tours and those touring under the SET Agreement. An interesting statistic was how overages have been a great way to equalize the salary differences between the two.
Usiatynski gave the Legislative Standing Committee Chair report and read the Chapter and Membership Recruitment Standing Committee Chair report written by Debbie Brooks. Lovie Smith-Wright reported on the Diversity Committee.
To my knowledge, for the first time, the TMA Executive Board limited guest speakers in order to hold breakout sessions to identify issues affecting musical theatre musicians and possible solutions. Topics included: reduced orchestrations, theatre musicians asked to supply headshots and/or audition tapes, keyboard subbing, as well as the questions “what is TMA doing that it should not be doing?” and “what is TMA not doing that it should be doing?”
The second day began with the Executive Board report. TMA Webmaster Stephen Green gave his report. AFM Secretary-Treasurer Sam Folio reported on political and social activism and the upcoming 100th AFM Convention. AFM IEB Member and Local 802 (New York City) President Tino Gagliardi talked about the relationship that he has with the British Musicians’ Union and common interests and concerns between London’s West End productions and those on Broadway. Paul Castillo gave a report on the Local Conferences’ Council/Players’ Conferences Council (LCC/PCC) Conference in Las Vegas last month.
It was a distinct honor and highlight of this the 20th Annual Conference to have a panel discussion with the original TMA Steering Committee who helped found TMA. They included: Gordon Messick (chair), David Schoenbrun (secretary), Larry Souza (treasurer), Artie Storch (editor of Pit Bulletin), and Melinda Wagner (advisor). Special mention was made of deceased member Wayne Allen (advisor). The panel spoke on the founding of TMA. On behalf of TMA, I would like to extend them a special thanks. We have to know where we came from to know where we’re going.
TMA would like to thank outgoing officers Christina Steffen and Jamie Schmidt for their service. TMA is a voluntary organization and the time and effort given by our local and national representatives is greatly appreciated.
TMA is dedicated to ensuring live music remains a vital and valued part of theatrical musicals now and in the future. Our purpose is to represent and serve the needs of local and touring theatre musicians. See if we are a good fit for you. Check out our website: afm-tma.org, or social media sites Twitter: Theatre Musicians@TMAMusicians and Facebook: Theatre Musicians Association – TMA. Don’t forget to “like” us!