Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.

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Officers Columns

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AFMPresidentRayHairW

Ray Hair – AFM International President

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    Charting Our Course with Solidarity and Strategy

    In preparation for the 103rd AFM Convention in Ottawa (June 20-23), I have been looking back on the work of the AFM since the last convention. As I stated in the AFM 2025 Annual Report, it’s clear that the Federation stands at a crossroads. Our greatest strength has always been our unity, but in an era defined by a fluctuating economic landscape and the rapid growth of artificial intelligence, unity alone is no longer enough. To secure our future, we must pair our traditional solidarity with an aggressive, forward-looking strategy.

    To ensure this strategy reflects the immediate needs of our musicians, the AFM International Executive Board (IEB) recently launched a comprehensive feedback initiative. Earlier this year, we emailed you a membership survey, which we paired with a series of listening sessions with local leadership across the United States and Canada. While we didn’t get to every local, we are deeply committed to continuing these listening sessions throughout the summer.

    The message sent back to us was loud and clear: our technology is out of date, locals need more resources to organize new work, and organizing new work should be the number one priority.

    • Organizing New Work: Specifically, 35% of members stated that organizing should be our absolute top priority, followed by negotiating contracts and agreements at 26%.
    • Industry Concerns: Our members are deeply concerned about the economic landscape—49% reported that things are “getting worse” for musicians these days, while only 17% feel the industry is “getting better.”
    • A Desire to Get Involved: In an encouraging demonstration of solidarity, a massive 25% of members declared: “I am willing to volunteer my time to help organize more employers and get them onto contract.”

    Expanding Our Resources

    The survey results confirm what the IEB has long recognized. Over the past three years, we have already been actively tracking toward these very goals. Translating this vision into measurable growth, the AFM has begun the move beyond support roles to build a more active organizing model—expanding field resources and developing tools to empower musicians and locals:

    • Symphonic Services Department (SSD): We actively expanded our infrastructure by adding dedicated negotiators to defend our orchestral musicians.
    • Field Services Department: We rebuilt the field services department, fully staffing it with six international representatives (IRs), and added an IR specializing in local compliance and fiduciary responsibility.
    • Freelance Services Department: We’re expanding the department’s reach, adding staff, and investing in digital infrastructure to scale up services for freelance musicians. This increased capacity directly supports the growth of our freelance sector, anchored by the newly recognized Freelance Musicians Association (FMA) player conference.
    • Organizing Department: We scaled up operations to an expanded organizing services framework capable of balancing high-density theatrical hubs with the realities of regional touring circuits and unique Canadian labor environments.

    The detailed department reports are available in the 2025 Annual Report in the members.AFM.org Document Library.

    Planning Our Next Chapter

    Providing resources to meet immediate needs is only the first step. To secure our union’s future for the next generation, we must move beyond temporary support and permanently fortify our capacity.

    Based on the clear mandate from the membership survey and listening sessions, the IEB has unanimously put forth five recommendations (published in the May issue of the International Musician). These measures will modernize how we do business, inject fresh resources into our locals, and allow us to prioritize aggressive new organizing and communications strategies.

    In his column on page 4, Secretary-Treasurer Ken Shirk details how true organizing requires real resources, people, and a structural pivot. The IEB’s recommendations are designed to fund and enforce this framework. I strongly encourage all members, and especially our convention delegates, to read Secretary-Treasurer Shirk’s message for a deep dive into how Recommendation No. 1 and Recommendation No. 2 provide the financial and strategic capacity to organize the thousands of independent musicians who belong in our ranks.

    Defining the Future

    Right now, the Federation is actively engaged in some of the most critical contract battles and defensive campaigns in our history. We continue to address the threat of artificial intelligence both legislatively and at the bargaining table in our current Sound Recording Labor Agreement (SRLA) negotiations—demanding ironclad contract protections regarding consent, compensation, and credit for machine learning models. Furthermore, we are already structuring our strategy for the upcoming Alliance of Motion Picture and Television Producers (AMPTP) negotiations in 2027, establishing a united front to ensure that musicians’ work used in motion picture, streaming, and television is fiercely protected against digital exploitation.

    While we continue to protect our members on major stages and in recording studios, the AFM’s ultimate growth relies on championing independent freelance creators—building a forward-looking union that values every gig, contract, and musician.

    If we want a vibrant future, we must shift from a defensive posture to an offensive strategy. Whether a member is performing on a symphonic stage, playing in a theater pit, recording for a major motion picture, or navigating the independent club circuit, they deserve a union that is as dynamic as the art they create. Every working musician in the United States and Canada needs to be able to instantly recognize the AFM, identify a local they can join, and clearly understand how we improve their economic bottom line.

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jay blumenthal

Jay Blumenthal – AFM International Secretary-Treasurer

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    2026 International Convention—Looking Back to See Forward

    Federation officers generally come into their positions after having served for a good while as officers of their locals, and in the old days—the really old days—Federation officers’ columns in this paper seemed to be speaking more to local officers than to the general membership. As the baby boomers started taking office in the 1990s, however, the officers’ columns shifted noticeably toward the rank and file membership as their intended audience, and
    I have endeavored to maintain that perspective in my own columns.

    This month’s column is different—I am speaking directly to local officers and delegates who will be attending the 103rd AFM Convention later this month and deciding the future direction of this union, now 130 years old. I invite rank and file members to read along and perhaps engage their local officers and delegates in a discussion about the choices to make at this June’s convention.

    The Basis

    Every decision made by the International Executive Board (IEB) has as its basis the following commitment, which affirms that if we are to have a union that effectively represents more than just symphonic and touring musicians, we must:

    Organize to build power to enable members to attain fairness in the labor market and justice in the political realm by building membership in touring, freelance, recording, and local gig markets and developing power to achieve strong contracts.

    When I joined this union, the AFM had 360,000 members. Today it’s around 60,000. It’s not because there are 300,000 fewer musicians in North America. They’re out there, just not with us. And why is that?

    A smart member of my home Local 99 in Portland, Oregon, boiled it down to one simple, practical concept:

    Musicians will join the union when they perceive that union membership will improve their economic bottom line.

    Apparently, 300,000 musicians—most of them freelance/indie/general business players—concluded that union membership would not improve their income. Those of us who have spent time in this union know that’s an erroneous conclusion. But perception is everything. And perception must change if we’re to increase our strength. Refer back to the previously stated IEB’s guiding concept.

    What’s in Front of the Convention

    The International Executive Board has made two primary recommendations for the convention delegates’ vote, setting forth what we must do to find 300,000 musicians again. The first recommendation is to increase funding to the Federation via an increase in the per capita dues. Per capita dues are what each local pays the Federation each quarter based on a head count of each local’s membership. The IEB’s second recommendation is to set a realistic standard to which locals must adhere in order to approach effectively the job of representing musicians in their jurisdictions.

    Recommendation No. 2

    If we’re going to build power for better pay and a responsive government, we must engage in actual labor and community-based organizing, all across the Federation. For the last several decades, we’ve tried everything else besides organizing, and 300,000 musicians have shown us how well we did. It’s past time for us to do what every other successful union does: grow through organizing.

    To that end, Recommendation No. 2 proposes that, as a baseline, every local must:

    • Meet with the membership eight times a year
    • Have an up-to-date website and an active social media presence
    • Keep a list of venues, clubs, and lounges in its jurisdiction
    • Keep a list of music education programs in its jurisdiction
    • Do an annual workshop for musicians on indie and freelance musicians’ rights
    • Participate in designing a Federation-
      coordinated multi-local regional organizing plan
    • Utilize funding from the AFM and Music Performance Trust Fund to benefit the members
    • Participate with their central labor council
    • Budget 10% for organizing
    • Send a newsletter or “e-zine” once a month to the membership
    • Pay at least one officer at least the required minimum wage

    None of the above is particularly radical nor out of reach for any local, but the list does set forth in writing what any local that wants to be a recognized voice for musicians in its area should do. That these basic things should even need to be set forth in bylaws at all is an indicator of the philosophical gap between us and those 300,000 musicians.

    Recommendation No. 1

    Raises dues—per capita dues specifically. For regular members, the IEB’s proposal would increase dues by $20 per year (or $5/quarter or $1.67/month).

    Federation per capita hasn’t been raised since 2013. Judicious administration by the previous Federation officers made that possible by keeping expenses—particularly staff expense—down. The accumulated surpluses since 2013 may leave some wondering why an increase is even requested.

    Those 300,000 absent musicians is why.

    These two charts, covering the last 12 years, illustrate the relationship between economizing on staff and membership growth:

    It’s a plain picture: investments in staff (the dotted line) remained relatively flat—which means staff was actually reduced after accounting for cost-of-living increases—and membership dropped by 20,000 in the same period (the solid line).

    It takes people to make a union work.

    The IEB’s commitment with Recommendation No. 1 is to:

    • Build up the Organizing Department
    • Deploy a unified Federation-wide master organizing plan, with emphasis on those 300,000 musicians
    • Build the Freelance Services Department
    • Develop the Communications Department
    • Ramp up our lobbying in DC and Ottawa

    There’s a piece in this recommendation for everyone, whether you’re a local officer or a local member.

    Recommendations No. 1 and No. 2 Go Hand-in-Hand

    Both these recommendations are about planning for the future, not reacting to the present. Reacting as we have for the last 130 years is a bad habit, particularly because it signifies not being in control of our destiny. Labor and community organizing is all about planning and taking action for the future, not doing damage control in the present.

    Real organizing, however, requires people—organizers, supporting resources, lawyers, communications, and public relations—and all of that requires funding. Most AFM locals do not have the financial resources to deploy fully-functioning organizing programs in their areas. So, the IEB has determined to develop and deploy regionally-based multi-
    local-coordinated organizing programs, initially in the five main regions of the US and Canada. They will work to the benefit of locals in each region—pooling and centralizing resources to achieve economies of scale.

    That takes funding. At present, the Federation’s cash reserves are such that the IEB was able to initiate the program without new revenue. For 2026, the IEB plans to expend $1 million more than the projected income, all of it in support of organizing, and most of that for organizing staff salaries. That $1 million will repeat each year since it’s for ongoing salaries. But the staffing needs will increase as we get more active and engaged, so that $1 million deficit in 2026 will probably be $1.6 million in 2027 and over $2 million in 2028. That means by 2028, the Federation will have dipped into the reserves by almost $5 million without any new revenue. And make no mistake—organizing for any union is not an instant reward; it takes a lot of time and a lot of work.

    The Federation can maintain that for a while, but not indefinitely—that’s where these two recommendations come into play. Ultimately, the 2026 Convention will be about choosing our future.

    Delegates must be prepared to decide whether the status quo is satisfactory or whether together we take the first steps toward reimagining the AFM as something that 300,000 musicians will want to be a part of.

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alan willaert

Alan Willaert – AFM Vice President from Canada

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    Canadian Labour Standing Strong in International Solidarity

    The Canadian Labour Congress (CLC) 31st Convention took place last month in Winnipeg, Manitoba. The convention kicked off with an International Solidarity Forum hosted by International Labour Organization Director Amber Barth, AFL-CIO President Liz Shuler, Barbados Workers Union General Secretary Toni Moore, and Federation of Somali Trade Unions General Secretary Omar Faruk Osmun.

    Throughout the CLC Convention, an action plan unfolded in several presentations. The priorities included fighting for democracy through international solidarity, building the future through investing in Canada and supporting a worker-centric trade agenda that prioritizes good union jobs, fighting for dignity to ensure respect and fairness for every worker, strengthening the social safety net, caring for all, and healthcare as a universal right.

    During the convention, I kept drifting to our own AFM mission and values, which speak to many of the same principles. Being in Winnipeg, we were reminded of the historical tipping point that occurred in 1919. The Winnipeg General Strike was one of the most dramatic and influential strikes in Canadian history. For six weeks, May 15-June 26, 1919, more than 30,000 strikers brought economic activity to a standstill in Winnipeg, which at the time was Canada’s third largest city.

    There were many background causes for the strike, most of them related to the prevailing social inequalities and the impoverished working conditions. The economic instability following World War I increased frustration among workers across Canada. Wages were low, prices were rising, employment was unstable, immigrants faced discrimination, and healthcare was poor. Many workers believed that their wages had not kept pace with the rapidly rising cost of living.

    Labour unions played an important role in organizing workers and advocating for collective bargaining rights. As a result, support for organized labour grew. As you read this, I’m sure current economic and political conditions come to mind. Canadian labour unions and the CLC Convention are united in international solidarity with the current political challenges.

    There is no doubt, that, when we work together, we become stronger. With the support of coalitions and the CLC, we will continue to fight for improvements to wages and benefits for all workers. As musicians and union members, we are part of labour and trade. Our voice is amplified through the work of the Canadian Labour Congress and other coalitions, including the Creative Industries Coalition and the Coalition for the Diversity of Cultural Expressions (CDEC).

    The AFM International Executive Board has spent significant time working through strategic planning over the last 18 months. Working from the previous convention mandate from delegates to invest in organizing, the Federation has completed the hiring of regional organizers to provide much needed support, especially for smaller locals, where there may be an organizing plan, but not the resources to engage. While this moves the needle in a positive direction, further organizing efforts will come at an additional financial burden. As we move forward to engage the first stages of the strategic plan, we must focus on how, through our mission and values, we can improve the membership experience and relationship with our members.

    As we approach our AFM Convention in Ottawa this month, I look forward to seeing delegates visit Canada’s capital city of Ottawa and enjoy Canadian culture and hospitality. As a binational labour union, we must build on our strengths, be aware of and navigate our weaknesses, seek out new opportunities, and guard against threats. While there is much to do, doing it together provides the strongest path forward.

    Lastly, our Canadian Office has moved into a new location. Our phone numbers and emails remain the same. The new address is 895 Don Mills Rd., Suite 202; Toronto, Ontario, M3C 1W3.


    Le mouvement syndical canadien, pilier de la solidarité internationale

    par Allistair Elliott, vice-président de l’AFM pour le Canada

    La 31e Assemblée générale du Congrès du travail du Canada (CTC) s’est tenue le mois dernier à Winnipeg, au Manitoba. L’Assemblée a débuté par un forum sur la solidarité internationale animé par Amber Barth, directrice de l’Organisation internationale du travail, Liz Shuler, présidente de l’AFL-CIO, Toni Moore, secrétaire générale du Syndicat des travailleurs de la Barbade, et Omar Faruk Osmun, secrétaire général de la Fédération des syndicats somaliens.

    Au long de l’assemblée, un plan d’action s’est révélé à travers plusieurs présentations. Parmi les priorités figurent la lutte pour la démocratie par le biais de la solidarité internationale; la préparation de l’avenir par l’investissement au Canada et le soutien d’un programme commercial centré sur les travailleurs, qui privilégie les emplois de syndicat de qualité; le combat pour la dignité afin de garantir le respect et l’équité pour chaque travailleur; le renforcement du filet de sécurité sociale; le souci du bien-être de tous et le droit universel aux soins de santé.

    Au cours de l’assemblée, je n’ai cessé de repenser à la mission et aux valeurs de notre propre AFM, qui reflètent bon nombre de ces mêmes principes. Aussi, de se trouver à Winnipeg nous a rappelé le tournant historique qui s’y est produit en 1919. En effet, la grève générale de Winnipeg a été l’une des plus dramatiques et des plus déterminanates de l’histoire du Canada. Pendant six semaines, du 15 mai au 26 juin 1919, plus de 30 000 grévistes ont paralysé l’activité économique à Winnipeg, qui, à l’époque, était la troisième plus grande ville du Canada.

    Cette grève a découlé de plusieurs causes, pour la plupart liées aux inégalités sociales et aux conditions de travail misérables. L’instabilité économique qui a suivi la Première Guerre mondiale a augmenté la frustration des travailleurs à l’échelle du Canada. Les salaires étaient bas, les prix augmentaient et l’emploi était précaire; les immigrants faisaient face à de la discrimination, et les soins de santé étaient médiocres. De nombreux travailleurs estimaient que leurs salaires n’avaient pas suivi la hausse rapide du coût de la vie.

    Les syndicats ont joué un rôle important dans l’organisation des travailleurs et la défense des droits à la négociation collective. En conséquence, le soutien aux syndicats s’est accru. En lisant ces lignes, je suis sûr que la situation économique et politique actuelle vous vient à l’esprit. Les syndicats canadiens et l’assemblée du CTC sont unis dans la solidarité internationale face aux défis politiques d’aujourd’hui.

    Il ne fait aucun doute que lorsque nous collaborons, nous sommes plus forts. Avec le soutien des coalitions et du CTC, nous continuerons à lutter pour l’amélioration des salaires et des avantages sociaux de tous les travailleurs. En tant que musiciens et membres de syndicats, nous faisons partie de la main-d’œuvre et du commerce. Notre voix est amplifiée par le Congrès du travail du Canada et d’autres coalitions, notamment la Coalition des industries créatives et la Coalition pour la diversité des expressions culturelles.

    Le Conseil exécutif international de l’AFM a consacré beaucoup de temps à la planification stratégique au cours des 18 derniers mois. S’appuyant sur le mandat donné par les délégués lors du précédent Congrès de l’AFM d’investir dans la syndicalisation, la Fédération a finalisé le recrutement d’organisateurs régionaux. L’objectif consiste à donner un soutien indispensable, en particulier aux petites sections locales, là où il existe peut-être un plan de syndicalisation, mais pas les ressources nécessaires pour l’exécuter. Bien que cela fasse avancer les choses dans la bonne direction, la poursuite des efforts de syndicalisation entraînera une charge financière supplémentaire. Alors que nous nous apprêtons à mettre en œuvre les premières étapes du plan stratégique, nous devons nous concentrer sur la manière dont, à travers notre mission et nos valeurs, nous pouvons améliorer l’expérience des membres et nos relations avec eux.

    Tandis qu’approche notre Congrès de l’AFM à Ottawa ce mois-ci, je me réjouis à l’idée que les délégués visiteront Ottawa, la capitale du Canada, et profiteront de la culture et de l’hospitalité canadiennes. À titre de syndicat binational, nous devons nous appuyer sur nos forces, prendre conscience de nos faiblesses et les surmonter, rechercher de nouvelles occasions et nous prémunir contre les menaces. Bien qu’il y ait beaucoup à faire, c’est en agissant ensemble que nous tracerons la meilleure voie pour l’avenir.

    Enfin, prenez note que notre Bureau canadien a emménagé dans de nouveaux locaux. Nos numéros de téléphone et adresses de courriel restent inchangés. La nouvelle adresse est la suivante : 895, chemin Don Mills, bureau 202, Toronto (Ontario) M3C 1W3.

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Other Officer Columns:

The Union Is ‘Us’: Thinking Beyond Transactional Logic

Your union dues represent much more than a simple “transaction.” Many elected local union leaders hear this question from time to time: “What services do I get in exchange for what I send you each year?” This wording, with the use of “you” or “them,” unfortunately also suggests that the union is perceived as a separate entity, a mere annual subscription to a service, with no other connection.

Even though the AFM offers excellent services, our union’s role goes far beyond that. Being a member of an AFM local means taking part in advancing a common cause: improving musicians’ socioeconomic conditions, defending their rights, and promoting the profession of musician. The AFM and its locals truly embody the collective “we.”

Major unions like the AFM have played, and continue to play, a crucial role in improving living conditions for society. Over time, thanks to the solidarity of their members, unions have achieved major advances such as the right for all to unionize and bargain collectively, occupational health and safety standards, better wages, and a social safety net.

There are still major battles to be fought at the start of the 21st century: digital multinationals use our work without compensating us fairly (streaming platforms) and often without our permission (generative artificial intelligence). Working conditions for freelance musicians have deteriorated over time. Employers offer ridiculous pay in exchange for “visibility” or “opportunities.”

How can we bring about change if we don’t get involved collectively in some way? Membership dues are only the starting point of this commitment. It is increasingly necessary to work together to shift perceptions and move from a transactional mindset (“I pay, so I want a service”) to a mindset of solidarity (“I am part of a collective that acts for our cause”). This shift in mindset can, and must, happen.

As a member, have you wondered how to make a difference? You can contribute to advancing our causes through small but meaningful actions that will strengthen the collective and foster a sense of belonging. Don’t hesitate to discuss this with the elected representatives of your local; they are there to listen to you, and just like you, they want to improve things for our wonderful profession as musicians.

It’s a very good idea to attend meetings and meet with elected officials, but it’s also inspiring to meet other members and exchange ideas about our profession and working conditions, and to strengthen our sense of solidarity and belonging to our union. The more you support your union and participate in union life, the better it can do to advance our causes.


Le syndicat, c’est « nous » : au delà de la logique transactionnelle

par Luc Fortin, membre du conseil de direction international (IEB) de l’AFM et de la section locale 406 (Montréal, Québec)

Vos cotisations syndicales représentent bien plus qu’une simple « transaction ». De nombreux dirigeants locaux élus de notre syndicat entendent cette question de temps à autre : « Quels services est-ce que j’obtiens en échange de ce que je vous verse chaque année? » Ce choix de mots, avec le « vous », ou le « eux », laisse malheureusement entendre que le syndicat est perçu comme une entité distincte, à laquelle on paie un simple abonnement annuel pour un « service », sans autre lien.

Pourtant, bien que l’AFM offre d’excellents services, le rôle de notre syndicat va bien au delà. Être membre d’une section locale de l’AFM, c’est participer à la promotion d’une cause commune : améliorer les conditions socio-économiques des musiciens, défendre leurs droits et promouvoir la profession de musicien. L’AFM et ses sections locales incarnent véritablement le « nous » collectif.

Les grands syndicats comme l’AFM ont joué, et continuent de jouer, un rôle crucial dans l’amélioration des conditions de vie de la société dans son ensemble. Au fil du temps, grâce à la solidarité de leurs membres, ils ont obtenu des avancées majeures telles que le droit pour tous de se syndiquer et de négocier collectivement, des normes de santé et de sécurité au travail, de meilleurs salaires et un filet de sécurité sociale.

Il reste encore des combats majeurs à mener en ce début de XXIe siècle : les multinationales du numérique exploitent notre travail sans nous rémunérer équitablement (plateformes de diffusion continue) et souvent sans notre permission (IA générative). Les conditions de travail des musiciens pigistes se sont détériorées au fil du temps, et les employeurs proposent des rémunérations dérisoires en échange de « visibilité » ou d’« opportunités ».

Comment pouvons-nous faire bouger les choses si nous ne nous mobilisons pas collectivement d’une manière ou d’une autre ? La cotisation n’est que le point de départ de cet engagement. Il est de plus en plus nécessaire de travailler ensemble pour faire évoluer les mentalités et passer d’une logique transactionnelle (« Je paie, donc j’attends un service ») à une logique de solidarité (« Je fais partie d’un collectif qui agit pour notre cause »). Ce changement de mentalité peut, et doit se produire.

Comme membre, vous êtes-vous déjà demandé comment faire une différence? Vous pouvez contribuer à faire avancer nos causes par des actions modestes, mais significatives, qui renforceront le collectif et favoriseront un sentiment d’appartenance. N’hésitez pas à en discuter avec les représentants élus de votre section locale; ils sont là pour vous écouter, et tout comme vous, ils veulent améliorer les conditions de notre merveilleuse profession de musiciens.

Assister aux réunions et rencontrer les élus c’est une très bonne idée, mais c’est également inspirant de rencontrer d’autres membres et d’échanger des idées sur notre profession et nos conditions de travail, et de renforcer le sentiment de solidarité et d’appartenance à notre syndicat. Plus vous soutiendrez votre syndicat et participerez à la vie syndicale, mieux il pourra faire progresser nos causes.

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Ed Malaga

Protecting the Mission of the Kennedy Center

For the uninitiated visiting our nation’s capital for the first time, the experience can truly be one of sensory overload. The combination of the sheer physical beauty of the city and the immediacy of its historical significance can be overwhelming.

I will certainly never forget my first visit to the John F. Kennedy Center for the Performing Arts after moving to the area. It was dark on that fall evening as we drove from Virginia across the Theodore Roosevelt Bridge and the city came into view. The illuminated Kennedy Center appeared across the Potomac River on the left with the view of the Lincoln Memorial to the right side of the river. The Washington Monument was in the background.

The impact of that moment was only magnified by the anticipation of what I would be experiencing inside the building—home to the National Symphony Orchestra, the Kennedy Center Opera House Orchestra, and until very recently, the Washington National Opera. The Kennedy Center has been a destination for arts organizations around the world since its opening in 1971 and has played a vital role as a cultural leader and nonpartisan arts institution. It has excelled in its mission to “present classical and contemporary music, opera, drama, dance, and other performing arts from the United States and other countries.”

I imagine that this impression has been shared countless times over the course of the Kennedy Center’s illustrious history as a living memorial to the performing arts in honor of a slain president. It is therefore even more troubling to witness the events that have recently transpired and their impact on this institution and all those who work there in fulfillment of its directive. Partisan politics now place the Kennedy Center’s mission, authorized by an act of Congress, in jeopardy for the first time in its existence.

Since the unprecedented takeover of the center, the reaction from both artists and audiences has had a devastating impact. Many artists have chosen to withdraw from their commitments at the center in protest of its management. This has effectively resulted in an exercise in self-censorship, as opposed to the intended goal.

Our national cultural center represents one of the world’s premier platforms for artistic expression. In a time of such historical importance like we are currently experiencing, why would artists choose silence over the opportunity to engage with their audiences and share their message directly?

President Kennedy said, “If sometimes our great artists have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our nation falls short of its highest potential.”

Of no less significance is the impact to all of those working under union contracts at the Kennedy Center. Not only have boycotts proven extremely disruptive to their livelihoods, but the boycotts are increasingly becoming an existential threat. Audiences have also chosen to vote with their feet.

The result has been not to punish the center’s leadership, which remains in place, but rather to jeopardize the lives of the very people who have dedicated their careers to bringing these arts to life in fulfillment of the Kennedy Center’s mission. By way of analogy, this could be compared to a sports team whose home stadium naming rights were bought by an unscrupulous corporation. Would the team’s fan base withdraw their support of their team as a form of protest by not attending games?

That brings us to the current situation and the announcement, with six months’ notice, that the Kennedy Center will be closing for a period of two years for “renovations.” Several lawsuits have been filed in objection and are being monitored closely.

However, the potential success of this litigation won’t do anything to change the dynamic which currently exists. Only artists and audiences can do that. As President Kennedy’s words on the marble facade of the center remind us, “I am certain that after the dust of centuries has passed over our cities, we, too, will be remembered not for victories or defeats in battle or in politics, but for our contribution to the human spirit.”

I look forward to a time when we will once again gather to celebrate the arts at this amazing venue, when artists and audiences will once again feel welcome at our national cultural center to experience the transformative power of the performing arts, and when this living memorial is restored to its designated purpose.

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Tina Morrison, AFM International Executive Board Member and Local 105 (Spokane, WA) Executive Board

Nothing Is Inevitable

Tension between musicians and technology has been going on since the beginning of time. Which came first, the modulating voice or the stick against a rock? Could the stick against the rock have been considered technology? What about instruments created through the centuries that emulate the sound of a voice but with different ranges, timbres, or increased technical capacity? Music making flexes, changes, and adapts to the tools available. It seems we’re living at a time in which everything is advancing at a faster and faster pace.

Keep in mind, we don’t make music for ourselves; it’s to resonate with others. There’s nothing like being in a group, band, or orchestra and really melding with the other musicians. The groove is there. Everyone is in tune with each other and playing together or off one another. The commingling of ideas, matching phrases, and conversing in sound is a truly unique form of communication that resonates with the music makers and the audience.

Different styles are created as the world becomes smaller and musicians are exposed to different instruments and rhythms. Musicians are inspired by each other, and it doesn’t matter who you are, what you look like, or where you came from. You don’t have to be able to speak to each other. Someone starts a tune and others join in and music is made.

Tensions seem to be everywhere, from advancing technology to a ridiculous and horrifying push toward isolationism. The macro is enforcing borders and building walls and the micro is creating a “new norm” for everyone to stay in their homes and stare at a screen. The movement from an interactive society to a hive of drones has been in the works for quite some time. The antiseptic, sterile, dystopian future is not inevitable, if we don’t allow it.

On the artistic side, we can make music that taps emotions and makes memories. Music brings people together to listen, dance, incite joy, feel sadness and love, and inspire action. We can fill auditoriums, theaters, and arenas with people smiling at each other with the excitement of a shared lived experience.

We have another side, which is our union. Together we can push back against the tech bros to ensure that music creators are compensated fairly. We can stand up for humanity by ensuring our legislative bodies are regulating media companies and corporations so that our intellectual properties are protected and creators are valued. We can enlist our communities to help make the concert experience available to all, not just the privileged. We need to call in our music making friends and family to join us in these efforts. Power is built one voice at a time, the root, the third, the fifth, and onward until the cacophony is overwhelming.

And on that note … hang in there and happy spring!

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Dave Pomeroy Photo

You Are Not Alone!

Since the last AFM Convention in 2023, the leadership team of the AFM has been working diligently to bring our union up to a new level of solidarity, efficiency, and accessibility. Times have changed, and so have we. Our organizing and engagement efforts are increasing exponentially, and despite the difficult political climate, we have been able to make some progress with legislation in Washington, DC, working with both sides of the aisle.

We have been working to recruit new members and increase our footprint in as many ways as possible. The more our members are engaged and willing to unite and stand up for themselves, the brighter their future will be. We have more power than we allow ourselves to realize sometimes, and we should never take that for granted.

As the music industry evolves, there are always new challenges, many of which come from technology-based initiatives. As an AFM member, you can protect yourself by documenting your work under one of our many contracts. This creates an intellectual property trail that greatly increases your ability to get what you deserve from all of the potential revenue streams out there. We are all in this together, and the bottom line is that you are not alone. We stand ready to help protect you and your work. It’s the right thing to do.

In our two recent negotiations with the film and TV industries, we got significant protections against the misuse of artificial intelligence (AI). AI is obviously a hot topic, and one that the AFM is very tuned into. We are in the beginning of Sound Recording Labor Agreement (SRLA) negotiations with the major record labels, and once again, the consequences of AI and generative AI for musicians are at the top of our list. Fake artists, fake music from real artists, and fake songwriting demos are popping up everywhere. Personally speaking, I believe that over time, the proliferation of AI generated music is going to make authenticity that much more valuable as listeners get bored with so-called “perfection.”

Here at Local 257 (Nashville, TN), we’re fortunate to be part of a community of creators and employers who have a tradition of respecting each other. Of course, there are a few unfortunate exceptions, but we been very active in engaging the publishers, labels, independent artists, and freelance musicians in our community to understand the value of an AFM contract.

The fact is, recording under an AFM contract benefits the employer in a number of ways, including creating a work for hire scenario that eliminates the need for a separate work for hire document from the employer. In addition, the AFM contract ensures that if a song is used for film, television, commercials or any other new use, whether now or decades from now, the third party employer, not the artist or label, pays the musicians. Without an AFM contract, what musicians make that day is all they will ever make for the future use of their work.

Despite all the challenges, technology has presented musicians with the undeniable power of artistic creativity, whether in live performance or in the studio. It remains a huge part of our modern day culture. Music brings people together in ways that cross multiple cultural boundaries and defy expectations. Two people who can not have a civil conversation about politics or religion can find common ground standing next to each other in a music venue, listening to a performer they both enjoy.

The music business doesn’t have to be a win-lose situation. It can be a win-win if everyone treats others as they would want to be treated. In these complicated times, that simple fact rings true now more than ever. One powerful song can make a big difference in people’s lives, and if you were a part of that recording, you deserve a fair share for what you contributed. When we work together with honesty and solidarity, and continue to stand up for each other and for our union, it makes a huge difference.

Our collective energy is a power not to be taken lightly—in an increasingly divided world, music is one of those few gifts that can help break down barriers in a positive way. You are not alone—we have the power when we work together for the greater good of all of us.

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