A conundrum that we frequently face when administering television agreements is how they apply to so-called reality TV. Early on, there was a tendency to designate all reality television programs as falling under the Television Videotape Agreement

When people ask me about my job I struggle to tell them precisely what my work means to me and what it is I do. I’m a horribly irreverent person, so I say something like, “I work in an office environment where we can spend 10 minutes one-upping each other with puns and it is not an atypical moment for anyone.”

In the upcoming five-year review of the Canadian Copyright Act, certainly one of the hot topics under scrutiny will be Internet service provider (ISP) liability. At the start of 2015, a new Canadian law came into effect called the “Notice and Notice” regime. It requires that all ISPs to forward copyright infringement notices to customers suspected of downloading unauthorized content like movies, TV shows, and music.

Think back to 10 years ago. How did you record your music? How did you rehearse? Who paid for your recording time? The way to make music is constantly upgrading. It’s taking less space, less equipment, less hassle, and sometimes less money. With that, the result has led to one truth: we’re making more music, faster than ever before, and it’s not slowing down.

That lesson should not be applied solely to our membership and our organizing efforts, but also to our advocacy and partnership work with municipal governments and agencies

The importance of our CD Jacket Program has grown over the years and continues to grow.