As discussed last month, album sales have dropped dramatically as consumption has moved decisively toward streaming as the preferred platform. Recent information available online through Digitalmusicnews.com paints a different picture in terms of how artists can expect to benefit from various streaming services.

Diversity within our union cannot be celebrated enough. While our membership runs the gamut in ethnicity, musical genre, age, and gender, the paucity of diversity within many of the workplaces in which we have representational duties continues to impede our effectiveness and growth.

The internationally renowned violinist Rachel Barton Pine’s Music by Black Composers (MBC) project has collected about 900 works by more than 350 black composers from the 19th through 21st centuries.

My colleague, fellow Local 433 (Austin, TX) member Aaron Lack and I hopped on a plane to Washington, DC, at the beginning of December. We were headed to American Federation of Musicians Leadership Training. The AFM hosted the three days of training with leaders from the AFL-CIO Organizing Institute at the Tommy Douglas Conference Center in Silver Spring, Maryland.

Saxophonist Gerald Albright of Local 47 (Los Angeles, CA) has dominated contemporary jazz since the 1980s. Albright made a name for himself as an R&B instrumentalist and his venerated status in the studio as a skilled session musician resulted in solo contracts with major labels.

In the December 2016 issue of the International Musician, I devoted my column in part to union election transitions. It seems like a good time to revisit the topic. We think of December as the month that brings the year to a close and January as a month that sets the stage for new beginnings. Many union elections take place in December, and from time to time, new union officers are elected to take the reins of their local. On occasion, the election can be preceded by contentious campaigns that leave the outgoing officers feeling unappreciated.