Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.
As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.
The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.
Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.
Canadian singer-songwriter and multi-instrumentalist Serena Ryder is known for her vocal range and full voice. A natural talent, the six-time Juno winner has opened shows for Aerosmith and One Republic, and traveled with Melissa Etheridge on her 2011 tour across Canada.
September 23, 2016
A conundrum that we frequently face when administering television agreements is how they apply to so-called reality TV. Early on, there was a tendency to designate all reality television programs as falling under the Television Videotape Agreement
September 22, 2016
When people ask me about my job I struggle to tell them precisely what my work means to me and what it is I do. I’m a horribly irreverent person, so I say something like, “I work in an office environment where we can spend 10 minutes one-upping each other with puns and it is not an atypical moment for anyone.”
September 21, 2016
In the upcoming five-year review of the Canadian Copyright Act, certainly one of the hot topics under scrutiny will be Internet service provider (ISP) liability. At the start of 2015, a new Canadian law came into effect called the “Notice and Notice” regime. It requires that all ISPs to forward copyright infringement notices to customers suspected of downloading unauthorized content like movies, TV shows, and music.
September 20, 2016
Think back to 10 years ago. How did you record your music? How did you rehearse? Who paid for your recording time? The way to make music is constantly upgrading. It’s taking less space, less equipment, less hassle, and sometimes less money. With that, the result has led to one truth: we’re making more music, faster than ever before, and it’s not slowing down.
September 19, 2016
That lesson should not be applied solely to our membership and our organizing efforts, but also to our advocacy and partnership work with municipal governments and agencies
September 14, 2016
The importance of our CD Jacket Program has grown over the years and continues to grow.
September 12, 2016
Recently the US Department of Labor distributed a communication that will impact all those filing Forms LM-2, LM-3, and LM-4 Labor Organization Annual Reports. This includes AFM Locals, regional AFM Conferences, and AFM Player Conferences.
September 11, 2016
Original made-for-new-media motion pictures should not be confused with other types of new media productions, such as live concerts captured for streaming on the Internet or other devices, which are covered by a different AFM agreement.
September 9, 2016
It is with great pride that I present to you this year’s International Musician focus issue dedicated to musicians that perform or plan to perform services in the world of electronic media (nonsymphonic) and the division of the AFM that serves and protects the interests of those musicians—the Electronic Media Services Division (EMSD).