Now is the right time to become an American Federation of Musicians member. From ragtime to rap, from the early phonograph to today's digital recordings, the AFM has been there for its members. And now there are more benefits available to AFM members than ever before, including a multi-million dollar pension fund, excellent contract protection, instrument and travelers insurance, work referral programs and access to licensed booking agents to keep you working.

As an AFM member, you are part of a membership of more than 80,000 musicians. Experience has proven that collective activity on behalf of individuals with similar interests is the most effective way to achieve a goal. The AFM can negotiate agreements and administer contracts, procure valuable benefits and achieve legislative goals. A single musician has no such power.

The AFM has a proud history of managing change rather than being victimized by it. We find strength in adversity, and when the going gets tough, we get creative - all on your behalf.

Like the industry, the AFM is also changing and evolving, and its policies and programs will move in new directions dictated by its members. As a member, you will determine these directions through your interest and involvement. Your membership card will be your key to participation in governing your union, keeping it responsive to your needs and enabling it to serve you better. To become a member now, visit www.afm.org/join.

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Articles

Why the AFM? Collective Action Across the Generations

The Symphonic Services Division (SSD), created in response to demand from player conferences, functions exclusively to support symphonic musicians and their local unions.


ROPA: A Decade of Growth

I have served on the ROPA Board for more than a decade. During that time, I’ve watched the organization grow from 68 member orchestras to 87.


The Global Digital Content Market

The creative industry represents more than 30 million jobs worldwide. The global music recording industry is worth US $15 billion. Revenue from digital sources grew to $6.8 billion and is now equal to those from physical sources, averaged across all markets.


Exercise as Medicine for Your Music

We all know that exercise is good for you. But you may not know all that exercise is good for.


FMSMF Reports a Record Year

The Film Musicians Secondary Markets Fund (FMSMF) works to serve the film, television, and music communities and meet the needs of film musicians whose talents fuel the industry. To this end, the FMSMF is pleased to provide ongoing updates to the International Musician for the benefit of AFM members.


5 Tips to Getting Your Price and More

Here are some things you might want to consider when that club, theater, private party, or corporate event says: “You charge how much?” or “Can you do it for less?”


Playing It Safe: The Importance of Documents

It’s always a good idea to carry your paperwork with you, especially when it comes to border crossings.


MPTF’s 2016-2017 Year Off to a Fast Start

The usually busy summer months of live music events, free to the public, are a tradition extending back 68 years since the MPTF was founded in 1948. The Trust Fund’s work is to enrich communities with music culture and entertainment, while providing valuable supplemental income to professional musicians across North America.


Casting Off the Yoke of Misclassification

As announced in the May 2016 issue of the International Musician, the recent ruling by the US Court of Appeals for the District of Columbia Circuit to deny the Lancaster Symphony Orchestra’s petition for review and grant the National Labor Relations Board’s (NLRB’s) cross application for enforcement is indeed a very important ruling, especially for the Lancaster Symphony Orchestra musicians.


Performers Hit Capitol Hill in Support of Performance Rights

The introduction in US Congress of H.R. 1733, the Fair Play Fair Pay Act of 2015, by Representatives Jerrold Nadler and Marsha Blackburn established a new benchmark in the protection of rights for creators whose sound recordings are performed on AM/FM terrestrial radio without a performance right.









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